WEKO3
アイテム
{"_buckets": {"deposit": "f33ab254-8791-4247-a419-34a0613c2ebf"}, "_deposit": {"created_by": 30, "id": "166", "owners": [30], "pid": {"revision_id": 0, "type": "depid", "value": "166"}, "status": "published"}, "_oai": {"id": "oai:nichibun.repo.nii.ac.jp:00000166", "sets": []}, "author_link": ["21207"], "item_1687303740024": {"attribute_name": "編者", "attribute_value_mlt": [{"contributorNames": [{"contributorName": "BREEN, John", "lang": "en"}], "contributorType": "Editor"}]}, "item_5_alternative_title_20": {"attribute_name": "その他の言語のタイトル", "attribute_value_mlt": [{"subitem_alternative_title": "春画の読者層", "subitem_alternative_title_language": "ja"}]}, "item_5_biblio_info_7": {"attribute_name": "書誌情報", "attribute_value_mlt": [{"bibliographicIssueDates": {"bibliographicIssueDate": "2013-01-01", "bibliographicIssueDateType": "Issued"}, "bibliographicPageEnd": "36", "bibliographicPageStart": "17", "bibliographicVolumeNumber": "26", "bibliographic_titles": [{"bibliographic_title": "Japan review : Journal of the International Research Center for Japanese Studies / SPECIAL ISSUE : Shunga: Sex and Humor in Japanese Art and Literature", "bibliographic_titleLang": "en"}]}]}, "item_5_description_15": {"attribute_name": "フォーマット", "attribute_value_mlt": [{"subitem_description": "application/pdf", "subitem_description_language": "en", "subitem_description_type": "Other"}]}, "item_5_description_4": {"attribute_name": "抄録", "attribute_value_mlt": [{"subitem_description": "The image today of works that depict sex explicitly is that they are the sole playthings of lascivious men. However, in this article I examine a wide range of sources and conclude that in the Edo period it was not only men who appriciated shunga, but that women were also customers. Furthur, there clearly was interest in shunga from the young and old, regardless of status or location, and included commoners in the cities, farmers, as well as first-class intellectuals and powerful daimyos. The sources clearly show the wide range of interest in shunga in the period. We can also see that shunga was not simply for stimulating sexual desire, but aimed to depict a wide range of aspects of sexuality.\nIn particular, popular ukiyo-e shunga was widely available through the extensive network system of itinerant lending-libraries (kashihon\u0027ya). Book-lenders would carry new and reprinted shunga books and travel from house to house, and lend them for a relatively inexpensive fee. They were known to alwais have the most up-to-date shunga books and print series, in response to customer demand. It is thought that in most cases it was the women of the house who received the orders from these book-lenders, as they did for other deliveries, and therefore, we can imagine with confidence that shunga works often first passed through women\u0027s hands.", "subitem_description_language": "en", "subitem_description_type": "Abstract"}]}, "item_5_identifier_registration": {"attribute_name": "ID登録", "attribute_value_mlt": [{"subitem_identifier_reg_text": "10.15055/00000160", "subitem_identifier_reg_type": "JaLC"}]}, "item_5_publisher_33": {"attribute_name": "出版者", "attribute_value_mlt": [{"subitem_publisher": "International Research Center for Japanese Studies", "subitem_publisher_language": "en"}]}, "item_5_source_id_10": {"attribute_name": "書誌レコードID", "attribute_value_mlt": [{"subitem_source_identifier": "AA10759175", "subitem_source_identifier_type": "NCID"}]}, "item_5_source_id_8": {"attribute_name": "ISSN", "attribute_value_mlt": [{"subitem_source_identifier": "09150986", "subitem_source_identifier_type": "PISSN"}, {"subitem_source_identifier": "24343129", "subitem_source_identifier_type": "EISSN"}]}, "item_5_text_62": {"attribute_name": "特集号タイトル", "attribute_value_mlt": [{"subitem_text_language": "en", "subitem_text_value": "Shunga: Sex and Humor in Japanese Art and Literature"}]}, "item_5_version_type_16": {"attribute_name": "著者版フラグ", "attribute_value_mlt": [{"subitem_version_resource": "http://purl.org/coar/version/c_970fb48d4fbd8a85", "subitem_version_type": "VoR"}]}, "item_creator": {"attribute_name": "著者", "attribute_type": "creator", "attribute_value_mlt": [{"creatorNames": [{"creatorName": "HAYAKAWA, Monta", "creatorNameLang": "en"}], "nameIdentifiers": [{"nameIdentifier": "21207", "nameIdentifierScheme": "WEKO"}]}]}, "item_files": {"attribute_name": "ファイル情報", "attribute_type": "file", "attribute_value_mlt": [{"accessrole": "open_date", "date": [{"dateType": "Available", "dateValue": "2015-11-11"}], "displaytype": "detail", "download_preview_message": "", "file_order": 0, "filename": "JN2602.pdf", "filesize": [{"value": "8.3 MB"}], "format": "application/pdf", "future_date_message": "", "is_thumbnail": false, "licensetype": "license_note", "mimetype": "application/pdf", "size": 8300000.000000001, "url": {"label": "JN2602.pdf", "objectType": "fulltext", "url": "https://nichibun.repo.nii.ac.jp/record/166/files/JN2602.pdf"}, "version_id": "91038978-e2b3-4225-98ef-501781666f5c"}]}, "item_keyword": {"attribute_name": "キーワード", "attribute_value_mlt": [{"subitem_subject": "SHUNGA", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}, {"subitem_subject": "LENDING LIBRARIES", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}, {"subitem_subject": "KASHIHON\u0027YA", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}, {"subitem_subject": "WEDDING TROUSSEAU", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}, {"subitem_subject": "SHUNGA AS TALISMAN", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}, {"subitem_subject": "GASEN", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}, {"subitem_subject": "OGYU SORAI", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}, {"subitem_subject": "OTA NANPO", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}, {"subitem_subject": "KAWAJI TOSHIAKIRA", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}, {"subitem_subject": "MORI OGAI", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}]}, "item_language": {"attribute_name": "言語", "attribute_value_mlt": [{"subitem_language": "eng"}]}, "item_resource_type": {"attribute_name": "資源タイプ", "attribute_value_mlt": [{"resourcetype": "departmental bulletin paper", "resourceuri": "http://purl.org/coar/resource_type/c_6501"}]}, "item_title": "\u003c1) RECEPTION\u003eWho Were the Audiences for Shunga?", "item_titles": {"attribute_name": "タイトル", "attribute_value_mlt": [{"subitem_title": "\u003c1) RECEPTION\u003eWho Were the Audiences for Shunga?", "subitem_title_language": "en"}]}, "item_type_id": "5", "owner": "30", "path": ["166"], "permalink_uri": "https://doi.org/10.15055/00000160", "pubdate": {"attribute_name": "PubDate", "attribute_value": "2013-12-12"}, "publish_date": "2013-12-12", "publish_status": "0", "recid": "166", "relation": {}, "relation_version_is_last": true, "title": ["\u003c1) RECEPTION\u003eWho Were the Audiences for Shunga?"], "weko_shared_id": -1}
<1) RECEPTION>Who Were the Audiences for Shunga?
https://doi.org/10.15055/00000160
https://doi.org/10.15055/000001600d131762-2ab4-4783-aadb-ab557d3deb5b
名前 / ファイル | ライセンス | アクション |
---|---|---|
JN2602.pdf (8.3 MB)
|
|
Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
---|---|---|---|---|---|---|
公開日 | 2013-12-12 | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | <1) RECEPTION>Who Were the Audiences for Shunga? | |||||
言語 | ||||||
言語 | eng | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.15055/00000160 | |||||
ID登録タイプ | JaLC | |||||
著者 |
HAYAKAWA, Monta
× HAYAKAWA, Monta |
|||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | The image today of works that depict sex explicitly is that they are the sole playthings of lascivious men. However, in this article I examine a wide range of sources and conclude that in the Edo period it was not only men who appriciated shunga, but that women were also customers. Furthur, there clearly was interest in shunga from the young and old, regardless of status or location, and included commoners in the cities, farmers, as well as first-class intellectuals and powerful daimyos. The sources clearly show the wide range of interest in shunga in the period. We can also see that shunga was not simply for stimulating sexual desire, but aimed to depict a wide range of aspects of sexuality. In particular, popular ukiyo-e shunga was widely available through the extensive network system of itinerant lending-libraries (kashihon'ya). Book-lenders would carry new and reprinted shunga books and travel from house to house, and lend them for a relatively inexpensive fee. They were known to alwais have the most up-to-date shunga books and print series, in response to customer demand. It is thought that in most cases it was the women of the house who received the orders from these book-lenders, as they did for other deliveries, and therefore, we can imagine with confidence that shunga works often first passed through women's hands. |
|||||
言語 | en | |||||
書誌情報 |
en : Japan review : Journal of the International Research Center for Japanese Studies / SPECIAL ISSUE : Shunga: Sex and Humor in Japanese Art and Literature 巻 26, p. 17-36, 発行日 2013-01-01 |
|||||
ISSN | ||||||
収録物識別子タイプ | PISSN | |||||
収録物識別子 | 09150986 | |||||
ISSN | ||||||
収録物識別子タイプ | EISSN | |||||
収録物識別子 | 24343129 | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AA10759175 | |||||
著者版フラグ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
その他の言語のタイトル | ||||||
その他のタイトル | 春画の読者層 | |||||
言語 | ja | |||||
出版者 | ||||||
言語 | en | |||||
出版者 | International Research Center for Japanese Studies | |||||
編者 | ||||||
寄与者タイプ | Editor | |||||
姓名 | BREEN, John | |||||
言語 | en | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | SHUNGA | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | LENDING LIBRARIES | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | KASHIHON'YA | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | WEDDING TROUSSEAU | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | SHUNGA AS TALISMAN | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | GASEN | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | OGYU SORAI | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | OTA NANPO | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | KAWAJI TOSHIAKIRA | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | MORI OGAI | |||||
特集号タイトル | ||||||
en | ||||||
Shunga: Sex and Humor in Japanese Art and Literature |