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<4) KABUKI AND VIOLENCE IN EDO SHUNGA>Kabuki Actors in Erotic Books (Shunpon)
https://doi.org/10.15055/00000170
https://doi.org/10.15055/00000170ee7c36a7-81c0-459f-801f-d84bcfe9349d
名前 / ファイル | ライセンス | アクション |
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JN2612.pdf (8.8 MB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2013-12-12 | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | <4) KABUKI AND VIOLENCE IN EDO SHUNGA>Kabuki Actors in Erotic Books (Shunpon) | |||||
言語 | ||||||
言語 | eng | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.15055/00000170 | |||||
ID登録タイプ | JaLC | |||||
著者 |
MATSUBA, Ryoko
× MATSUBA, Ryoko |
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抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | This article aims to establish the publishing history of shunpon (erotic books) with actors' "true likenesses" (nigao-e) that wereissued in Edo, and explore the ways in which the development of actor likeness and the production of shunpon were interrelated. It was in the late eighteenth and early nineteenth centuries that the use of actors' "likeness" became the norm. Originally, artists had represented actors' faces in a stereotyped or generic way. However, from around the 1760s representations became more distinctive and indivisualized, taking advantage of the actors' "star" quality.</br>In this essay, I survey, in chronological order, thirty shunpon issued between c. 1773 and 1850 that employ actors' nigao. The survey will reveal some crucial points in the devlopment of the relationship between actor likenesses and erotic books. For example, Kunisadaproduced several shunpon in 1826-28 that combine accounts of scandals involving Kabuki actors with the plots of current plays. One question is: Why did Kunisada suddenly become so active in this field immediately after the death of Toyokuni I in 1825? The practice of nigao made the depiction of identifiable actors off stage possible. A small number of books, not all of them shunpon, published between 1770 and 1804, showed actors in private life. The exploitation of nigao led to a significant enrichment of Edo visual culture. The article hopes to reach a better of understanding of the public's intense interest in kabuki actors, and the ways in which artists developed and exploited nigao to satisfy that demand. |
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言語 | en | |||||
書誌情報 |
en : Japan review : Journal of the International Research Center for Japanese Studies / SPECIAL ISSUE : Shunga: Sex and Humor in Japanese Art and Literature 巻 26, p. 215-237, 発行日 2013-01-01 |
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ISSN | ||||||
収録物識別子タイプ | PISSN | |||||
収録物識別子 | 09150986 | |||||
ISSN | ||||||
収録物識別子タイプ | EISSN | |||||
収録物識別子 | 24343129 | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AA10759175 | |||||
著者版フラグ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
その他の言語のタイトル | ||||||
その他のタイトル | 春本の中の歌舞伎訳者 | |||||
言語 | ja | |||||
出版者 | ||||||
言語 | en | |||||
出版者 | International Research Center for Japanese Studies | |||||
編者 | ||||||
寄与者タイプ | Editor | |||||
姓名 | BREEN, John | |||||
言語 | en | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | KABUKI | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | ACTORS | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | ACTOR PORTRAITS | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | NIGAO-E | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | UTAGAWA KUNISADA | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | SHUNGA | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | EROTIC | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | KATSUKAWA SHUNSHO | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | UTAGAWA TOYOKUNI I | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | SEXUAL ICONS | |||||
特集号タイトル | ||||||
en | ||||||
Shunga: Sex and Humor in Japanese Art and Literature |