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The pillow hook : the pillow book as an "open work"
https://doi.org/10.15055/00006137
https://doi.org/10.15055/00006137c998a854-0e34-4bec-bf4f-07a48dc397bc
名前 / ファイル | ライセンス | アクション |
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IJ0502.pdf (2.6 MB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2012-03-09 | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | The pillow hook : the pillow book as an "open work" | |||||
言語 | ||||||
言語 | eng | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.15055/00006137 | |||||
ID登録タイプ | JaLC | |||||
著者 |
KRISTEVA, Tzvetana
× KRISTEVA, Tzvetana |
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著者別名 | ||||||
識別子Scheme | WEKO | |||||
識別子 | 20653 | |||||
姓名 | クリステヴァ, ツベタナ | |||||
言語 | ja | |||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | This paper is an attempt to unfold the many-layered text of Sei Shōnagon's Makura-no sōshi and to promote further the pleasure of its reading. On the one hand, the paper is based on Sei Shōnagon's major issue, that of wokashi, interpreted, following its etymology and its dictionary meanings, as a desire to fascinate the readers and to involve them in the joyful search for something beautiful, lovely, refined and sometimes even strange and non-conventional. On the other hand, the theoretical frame of the paper is Umberto Eco's concept of an open work (opera aperta), although quite often the reading has had to protrude outside of this frame in order to accommodate the text of the Makura-no sōshi. In this process it has turned out that, the opening of Eco's concept towards other, non-occidental literary traditions does not emerge from his literary analysis, but rather through his examples from the most "expression-oriented" art, i.e. from music, thus indirectly leading to the general problem of "text- (expression-) oriented cultures" and "grammar- (content-) oriented cultures". The paper deals successively with Sei Shōnagon's narrative technique in the different groups of episodes: the strategy of naming and re-naming in the wa-dan, the effect of the wave in the mono-dan, the displaced "typical situations", the "autobiographical" Shōnagon's strategy of involving the readers in the process of text-making itself. The "close" reading of Makura-no sōshi concludes with an attempt to reconcile the two "opposite" groups of manuscripts, the "orderly" and the "loose" ones, suggesting that their existence is another argument in favour of the open work interpretation of this text, i.e. as a "to be completed" work, as an "open" situation in movement. The final remarks open the reading for the next movement, namely from a text in movement to a context in movement, reminding us that, although the open work provides a chance for a choice, the choice is always "pillowed" in the cultural context. |
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書誌情報 |
en : Nichibunken Japan review : bulletin of the International Research Center for Japanese Studies 巻 5, p. 15-54, 発行日 1994-01-01 |
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ISSN | ||||||
収録物識別子タイプ | PISSN | |||||
収録物識別子 | 09150986 | |||||
ISSN | ||||||
収録物識別子タイプ | EISSN | |||||
収録物識別子 | 24343129 | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AA10759175 | |||||
著者版フラグ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
その他の言語のタイトル | ||||||
その他のタイトル | マクロの草子 : 「開かれた作品」としての『枕草子』 | |||||
言語 | ja | |||||
出版者 | ||||||
言語 | en | |||||
出版者 | International Research Center for Japanese Studies | |||||
編者 | ||||||
寄与者タイプ | Editor | |||||
姓名 | SUGIMOTO, Hidetaro | |||||
言語 | en | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | WOKASHI | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | TAWABURE | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | TEXT- (EXPRESSION-) ORIENTED CULTURES VS. GRAMMAR- (CONTENT-) ORIENTED CULTURES | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | METAPOETICAL LEVEL | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | STRATEGY OF NAMING AND RE-NAMING | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | NARRATING NAMES | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | DISPLACEMENT | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | OPERA APERTA REVISITED |