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<3) SHUNGA IN KYOTO AND OSAKA>Allegories of Love
https://doi.org/10.15055/00000165
https://doi.org/10.15055/00000165ba71d813-f04f-4a2f-a4d0-d37a5bad4124
名前 / ファイル | ライセンス | アクション |
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JN2607.pdf (4.5 MB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2013-12-12 | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | <3) SHUNGA IN KYOTO AND OSAKA>Allegories of Love | |||||
言語 | ||||||
言語 | eng | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.15055/00000165 | |||||
ID登録タイプ | JaLC | |||||
著者 |
PRESTON, Jennifer
× PRESTON, Jennifer |
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抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | It is widely acknowledged that early modern European pornography was a political medium. In Japan, however, partly on account of the artistic merit of much of its early modern pornographic production, the possibility that representations of sex could have circulated as political signifiers has been overlooked. This article takes the pornographic works of the early eighteenth century Kyoto artist Nishikawa Sukenobu as a case in point. Between 1710 and 1721, Sukenobu produced in the region of 50 erotic works. These differed from earlier pornographic works in that the accompanying narratives--supplied largely by the author Ejima Kiseki--dwelt not on the blissful comedy of sex that had hitherto dominated the medium, but on stories of thwarted love and the sexual desolation of the brothels. This is significant, for discussions of consensuality and affective marriage were not confined to pornography. The popular Shinto preacher Masuho Zanko, for example, was at the same time attributing the demise of affective relations to the imposition of Confucianist social norms. The same opposition between sexual love and Confucian constraint is echoed in Sukenobu's pornographic works and versions thereof emerge in his later illustrated books (ehon). Given that the metaphorical possibilities of romantic love as a political signifier were being discussed at the same time in Shintoist and Kimon circles in relation to the political writings of Chinese heroes of the Warring States period, we should not overlook the possibility that the early modern pornographic endeavour was, in part, a sophisticated rhetorical strategy. | |||||
言語 | en | |||||
書誌情報 |
en : Japan review : Journal of the International Research Center for Japanese Studies / SPECIAL ISSUE : Shunga: Sex and Humor in Japanese Art and Literature 巻 26, p. 117-135, 発行日 2013-01-01 |
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ISSN | ||||||
収録物識別子タイプ | PISSN | |||||
収録物識別子 | 09150986 | |||||
ISSN | ||||||
収録物識別子タイプ | EISSN | |||||
収録物識別子 | 24343129 | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AA10759175 | |||||
著者版フラグ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
その他の言語のタイトル | ||||||
その他のタイトル | 性愛のアレゴリー | |||||
言語 | ja | |||||
出版者 | ||||||
言語 | en | |||||
出版者 | International Research Center for Japanese Studies | |||||
編者 | ||||||
寄与者タイプ | Editor | |||||
姓名 | BREEN, John | |||||
言語 | en | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | NISHIKAWA SUKENOBU | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | EJIMA KISEKI | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | MASUHO ZANKO | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | ENDO TSUGAN | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | ASAMI KEISAI | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | WAKABAYASHI KYOSAI | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | NAKAMURA RANRIN | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | SEX | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | POLITICS | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | METAPHOR | |||||
特集号タイトル | ||||||
en | ||||||
Shunga: Sex and Humor in Japanese Art and Literature |