WEKO3
アイテム
{"_buckets": {"deposit": "4b70621d-4366-4eed-a450-69058ed9fde5"}, "_deposit": {"created_by": 30, "id": "178", "owners": [30], "pid": {"revision_id": 0, "type": "depid", "value": "178"}, "status": "published"}, "_oai": {"id": "oai:nichibun.repo.nii.ac.jp:00000178", "sets": []}, "author_link": ["21219"], "item_1687303740024": {"attribute_name": "編者", "attribute_value_mlt": [{"contributorNames": [{"contributorName": "BREEN, John", "lang": "en"}], "contributorType": "Editor"}]}, "item_5_alternative_title_20": {"attribute_name": "その他の言語のタイトル", "attribute_value_mlt": [{"subitem_alternative_title": "明治期の春画 : 伝統の終わり?", "subitem_alternative_title_language": "ja"}]}, "item_5_biblio_info_7": {"attribute_name": "書誌情報", "attribute_value_mlt": [{"bibliographicIssueDates": {"bibliographicIssueDate": "2013-01-01", "bibliographicIssueDateType": "Issued"}, "bibliographicPageEnd": "276", "bibliographicPageStart": "259", "bibliographicVolumeNumber": "26", "bibliographic_titles": [{"bibliographic_title": "Japan review : Journal of the International Research Center for Japanese Studies / SPECIAL ISSUE : Shunga: Sex and Humor in Japanese Art and Literature", "bibliographic_titleLang": "en"}]}]}, "item_5_description_15": {"attribute_name": "フォーマット", "attribute_value_mlt": [{"subitem_description": "application/pdf", "subitem_description_language": "en", "subitem_description_type": "Other"}]}, "item_5_description_4": {"attribute_name": "抄録", "attribute_value_mlt": [{"subitem_description": "This article examines the final period of shunga, customarily defined as erotic imagery produced by the woodblock-printing technique. It takes up artist who continued the earlier traditions of shunga (such as Kawanabe Kyosai and Tsukioka Yoshitoshi) and those who developed new modes (among them, Tomioka Eisen). The new Meiji administration was anxious to suppress material it deemed inappropriate, and new censorship legislation was introduced in 1872. However, the clandestine production and sale of shungacontinued until the early 1900s. As was always the case, quality varies, but the best Meiji era shunga is distinguished by fine draughtsmanship and deluxe printing effects. As part of modernization, women gained new, more visible roles in society and these were quickly taken up as characters in shunga. Japan\u0027s engagement in hostilities with first China and then Russia provided the impetus for the further production of erotica to supply to troops. Yet, by this point such material was seen as a potential embarrassment to the nation, and its suppression thereafter intensified. At the same time, the shifting role of the naked body within visual culture had a major impact on shunga, and rival rechnologies, such as photography and lithography, were supplanting woodblock-printing. The result was the emergence of a new genre of sex-related imagery, which, when compared with shunga, is marked by its directly explicit nature and a lack of humour.", "subitem_description_language": "en", "subitem_description_type": "Abstract"}]}, "item_5_identifier_registration": {"attribute_name": "ID登録", "attribute_value_mlt": [{"subitem_identifier_reg_text": "10.15055/00000172", "subitem_identifier_reg_type": "JaLC"}]}, "item_5_publisher_33": {"attribute_name": "出版者", "attribute_value_mlt": [{"subitem_publisher": "International Research Center for Japanese Studies", "subitem_publisher_language": "en"}]}, "item_5_source_id_10": {"attribute_name": "書誌レコードID", "attribute_value_mlt": [{"subitem_source_identifier": "AA10759175", "subitem_source_identifier_type": "NCID"}]}, "item_5_source_id_8": {"attribute_name": "ISSN", "attribute_value_mlt": [{"subitem_source_identifier": "09150986", "subitem_source_identifier_type": "PISSN"}, {"subitem_source_identifier": "24343129", "subitem_source_identifier_type": "EISSN"}]}, "item_5_version_type_16": {"attribute_name": "著者版フラグ", "attribute_value_mlt": [{"subitem_version_resource": "http://purl.org/coar/version/c_970fb48d4fbd8a85", "subitem_version_type": "VoR"}]}, "item_creator": {"attribute_name": "著者", "attribute_type": "creator", "attribute_value_mlt": [{"creatorNames": [{"creatorName": "BUCKLAND, Rosina", "creatorNameLang": "en"}], "nameIdentifiers": [{"nameIdentifier": "21219", "nameIdentifierScheme": "WEKO"}]}]}, "item_files": {"attribute_name": "ファイル情報", "attribute_type": "file", "attribute_value_mlt": [{"accessrole": "open_date", "date": [{"dateType": "Available", "dateValue": "2015-11-11"}], "displaytype": "detail", "download_preview_message": "", "file_order": 0, "filename": "JN2614.pdf", "filesize": [{"value": "8.1 MB"}], "format": "application/pdf", "future_date_message": "", "is_thumbnail": false, "licensetype": "license_note", "mimetype": "application/pdf", "size": 8100000.0, "url": {"label": "JN2614.pdf", "objectType": "fulltext", "url": "https://nichibun.repo.nii.ac.jp/record/178/files/JN2614.pdf"}, "version_id": "9a6520a0-5a71-477a-b175-14ca745c5d7b"}]}, "item_keyword": {"attribute_name": "キーワード", "attribute_value_mlt": [{"subitem_subject": "SHUNGA", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}, {"subitem_subject": "EROTICA", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}, {"subitem_subject": "WOODBLOCK PRINT", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}, {"subitem_subject": "KAWANABE KYOSAI", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}, {"subitem_subject": "TOMIOKA EISEN", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}, {"subitem_subject": "SINO-JAPANESE WAR", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}, {"subitem_subject": "RUSSO-JAPANESE WAR", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}, {"subitem_subject": "CENSORSHIP", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}, {"subitem_subject": "THE NUDE", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}]}, "item_language": {"attribute_name": "言語", "attribute_value_mlt": [{"subitem_language": "eng"}]}, "item_resource_type": {"attribute_name": "資源タイプ", "attribute_value_mlt": [{"resourcetype": "departmental bulletin paper", "resourceuri": "http://purl.org/coar/resource_type/c_6501"}]}, "item_title": "\u003c5) MODERN TRANSFORMATION\u003eShunga in the Meiji Era : The End of a Tradition?", "item_titles": {"attribute_name": "タイトル", "attribute_value_mlt": [{"subitem_title": "\u003c5) MODERN TRANSFORMATION\u003eShunga in the Meiji Era : The End of a Tradition?", "subitem_title_language": "en"}]}, "item_type_id": "5", "owner": "30", "path": ["166"], "permalink_uri": "https://doi.org/10.15055/00000172", "pubdate": {"attribute_name": "PubDate", "attribute_value": "2013-12-12"}, "publish_date": "2013-12-12", "publish_status": "0", "recid": "178", "relation": {}, "relation_version_is_last": true, "title": ["\u003c5) MODERN TRANSFORMATION\u003eShunga in the Meiji Era : The End of a Tradition?"], "weko_shared_id": -1}
<5) MODERN TRANSFORMATION>Shunga in the Meiji Era : The End of a Tradition?
https://doi.org/10.15055/00000172
https://doi.org/10.15055/000001720785cf7e-933e-4c0c-a505-d78111ab9475
名前 / ファイル | ライセンス | アクション |
---|---|---|
JN2614.pdf (8.1 MB)
|
|
Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
---|---|---|---|---|---|---|
公開日 | 2013-12-12 | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | <5) MODERN TRANSFORMATION>Shunga in the Meiji Era : The End of a Tradition? | |||||
言語 | ||||||
言語 | eng | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.15055/00000172 | |||||
ID登録タイプ | JaLC | |||||
著者 |
BUCKLAND, Rosina
× BUCKLAND, Rosina |
|||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | This article examines the final period of shunga, customarily defined as erotic imagery produced by the woodblock-printing technique. It takes up artist who continued the earlier traditions of shunga (such as Kawanabe Kyosai and Tsukioka Yoshitoshi) and those who developed new modes (among them, Tomioka Eisen). The new Meiji administration was anxious to suppress material it deemed inappropriate, and new censorship legislation was introduced in 1872. However, the clandestine production and sale of shungacontinued until the early 1900s. As was always the case, quality varies, but the best Meiji era shunga is distinguished by fine draughtsmanship and deluxe printing effects. As part of modernization, women gained new, more visible roles in society and these were quickly taken up as characters in shunga. Japan's engagement in hostilities with first China and then Russia provided the impetus for the further production of erotica to supply to troops. Yet, by this point such material was seen as a potential embarrassment to the nation, and its suppression thereafter intensified. At the same time, the shifting role of the naked body within visual culture had a major impact on shunga, and rival rechnologies, such as photography and lithography, were supplanting woodblock-printing. The result was the emergence of a new genre of sex-related imagery, which, when compared with shunga, is marked by its directly explicit nature and a lack of humour. | |||||
言語 | en | |||||
書誌情報 |
en : Japan review : Journal of the International Research Center for Japanese Studies / SPECIAL ISSUE : Shunga: Sex and Humor in Japanese Art and Literature 巻 26, p. 259-276, 発行日 2013-01-01 |
|||||
ISSN | ||||||
収録物識別子タイプ | PISSN | |||||
収録物識別子 | 09150986 | |||||
ISSN | ||||||
収録物識別子タイプ | EISSN | |||||
収録物識別子 | 24343129 | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AA10759175 | |||||
著者版フラグ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
その他の言語のタイトル | ||||||
その他のタイトル | 明治期の春画 : 伝統の終わり? | |||||
言語 | ja | |||||
出版者 | ||||||
言語 | en | |||||
出版者 | International Research Center for Japanese Studies | |||||
編者 | ||||||
寄与者タイプ | Editor | |||||
姓名 | BREEN, John | |||||
言語 | en | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | SHUNGA | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | EROTICA | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | WOODBLOCK PRINT | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | KAWANABE KYOSAI | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | TOMIOKA EISEN | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | SINO-JAPANESE WAR | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | RUSSO-JAPANESE WAR | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | CENSORSHIP | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | THE NUDE |