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History in the Making : The Negotiation of History and Fiction in Tanizaki Jun'ichirō's Shunkinshō
https://doi.org/10.15055/00000188
https://doi.org/10.15055/00000188f831f274-0e4a-42b6-8f1a-747fc07ec757
名前 / ファイル | ライセンス | アクション |
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JN2407.pdf (445.4 kB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2012-11-21 | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | History in the Making : The Negotiation of History and Fiction in Tanizaki Jun'ichirō's Shunkinshō | |||||
言語 | ||||||
言語 | eng | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.15055/00000188 | |||||
ID登録タイプ | JaLC | |||||
著者 |
DODD, Stephen
× DODD, Stephen |
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抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | In this paper, I continue along the lines of earlier critics, who have considered the literature of Tanizaki Jun'ichirō in the context of the historical period in which they were written. However, I go further by examining how Tanizaki articulated theme of history within his own literature, specifically through a close reading of several parts in Shunkinshō 春琴抄 (1933). I suggest that the appearance of a photograph in the text points to social and economic factors that helped determine Tanizaki's representation of the tensions between reality and fiction. I aoso explore how the author uses the trope of blindness as an ultimately vain attempt to escape a world shaped by historical reality. And I argue that Tanizaki's interest in aesthetic beauty should be interpreted not as a sign of the author's successful avoidance of an increasingly intrusive social and political environment of early 1930s Japan. Rather, this interest serves as an important key to understanding how Tanizaki's literary work engaged deeply in the currents of the time in a far more effective and meaningful way compared to many of his contemporaneous fellow writers who were aligned to the Nihon Rōman-ha 日本浪漫派 (Japan Romantics). | |||||
言語 | en | |||||
書誌情報 |
en : Japan review : journal of the International Research Center for Japanese Studies 巻 24, p. 151-168, 発行日 2012-01-01 |
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ISSN | ||||||
収録物識別子タイプ | PISSN | |||||
収録物識別子 | 09150986 | |||||
ISSN | ||||||
収録物識別子タイプ | EISSN | |||||
収録物識別子 | 24343129 | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AA10759175 | |||||
著者版フラグ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
その他の言語のタイトル | ||||||
その他のタイトル | 作られる歴史 : 谷崎潤一郎『春琴抄』における歴史とフィクションの狭間での思量 | |||||
言語 | ja | |||||
出版者 | ||||||
言語 | en | |||||
出版者 | International Research Center for Japanese Studies | |||||
編者 | ||||||
寄与者タイプ | Editor | |||||
姓名 | BREEN, John | |||||
言語 | en | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | TANIZAKI | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | SHUNKIN | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | PHOTOGRAPHY | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | AESTHETICS | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | NIHON RŌMAN-HA | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | SUBJECTIVITY | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | I-NOVEL | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | NIGHTINGALE |