WEKO3
アイテム
{"_buckets": {"deposit": "ca5aae57-3562-4411-9c33-244d37293cdb"}, "_deposit": {"created_by": 30, "id": "211", "owners": [30], "pid": {"revision_id": 0, "type": "depid", "value": "211"}, "status": "published"}, "_oai": {"id": "oai:nichibun.repo.nii.ac.jp:00000211", "sets": []}, "author_link": ["21126", "21125"], "item_1687303740024": {"attribute_name": "編者", "attribute_value_mlt": [{"contributorNames": [{"contributorName": "BREEN, John", "lang": "en"}], "contributorType": "Editor"}]}, "item_5_alternative_title_20": {"attribute_name": "その他の言語のタイトル", "attribute_value_mlt": [{"subitem_alternative_title": "明治新曲 : 琴のための近代音楽事始め", "subitem_alternative_title_language": "ja"}]}, "item_5_biblio_info_7": {"attribute_name": "書誌情報", "attribute_value_mlt": [{"bibliographicIssueDates": {"bibliographicIssueDate": "2010-01-01", "bibliographicIssueDateType": "Issued"}, "bibliographicPageEnd": "123", "bibliographicPageStart": "103", "bibliographicVolumeNumber": "22", "bibliographic_titles": [{"bibliographic_title": "Nichibunken Japan review : Journal of the International Research Center for Japanese Studies", "bibliographic_titleLang": "en"}]}]}, "item_5_description_15": {"attribute_name": "フォーマット", "attribute_value_mlt": [{"subitem_description": "application/pdf", "subitem_description_language": "en", "subitem_description_type": "Other"}]}, "item_5_description_4": {"attribute_name": "抄録", "attribute_value_mlt": [{"subitem_description": "This paper argues for the success of early Meiji compositions for the koto, or Meiji shinkyoku, by suggesting that the composers’ adherence to premodern compositional models allowed for their continued appreciation. At the same time, however, these same composers effected a fundamental change in the esthetics of sōkyoku jiuta as they attempted to popularise their music. This change led to a new understanding of music, and allowed Tateyama Noboru (1876–1926) to turn to popular culture and initiate the modernization of koto music. This he did by introducing themes taken from Western military music and keyboard music into his compositions for koto. Tateyama’s innovations were a crucial step in the process of Japanese musical modernization as they led to the westernisation of music under Miyagi Michio (1894–1956) and the Movement for New Japanese Music. However, their reliance upon popular bourgeois culture weakened their esthetic value, despite their immense popularity. Tateyama’s works thus serve to highlight the strengths of the earlier Meiji shinkyoku and what followed with Miyagi, who finally left behind Japanese compositional moulds for forms from Western music. This essay elucidates why most of the compositions in the present day repertoire of Meiji shinkyoku are either by earlier composers or those who continued to compose according to earlier models.", "subitem_description_language": "en", "subitem_description_type": "Abstract"}]}, "item_5_full_name_3": {"attribute_name": "著者別名", "attribute_value_mlt": [{"nameIdentifiers": [{"nameIdentifier": "21126", "nameIdentifierScheme": "WEKO"}], "names": [{"name": "フラヴィン, フィリップ", "nameLang": "ja"}]}]}, "item_5_identifier_registration": {"attribute_name": "ID登録", "attribute_value_mlt": [{"subitem_identifier_reg_text": "10.15055/00000205", "subitem_identifier_reg_type": "JaLC"}]}, "item_5_publisher_33": {"attribute_name": "出版者", "attribute_value_mlt": [{"subitem_publisher": "International Research Center for Japanese Studies", "subitem_publisher_language": "en"}]}, "item_5_source_id_10": {"attribute_name": "書誌レコードID", "attribute_value_mlt": [{"subitem_source_identifier": "AA10759175", "subitem_source_identifier_type": "NCID"}]}, "item_5_source_id_8": {"attribute_name": "ISSN", "attribute_value_mlt": [{"subitem_source_identifier": "09150986", "subitem_source_identifier_type": "PISSN"}, {"subitem_source_identifier": "24343129", "subitem_source_identifier_type": "EISSN"}]}, "item_5_version_type_16": {"attribute_name": "著者版フラグ", "attribute_value_mlt": [{"subitem_version_resource": "http://purl.org/coar/version/c_970fb48d4fbd8a85", "subitem_version_type": "VoR"}]}, "item_creator": {"attribute_name": "著者", "attribute_type": "creator", "attribute_value_mlt": [{"creatorNames": [{"creatorName": "FLAVIN, Philip", "creatorNameLang": "en"}], "nameIdentifiers": [{"nameIdentifier": "21125", "nameIdentifierScheme": "WEKO"}]}]}, "item_files": {"attribute_name": "ファイル情報", "attribute_type": "file", "attribute_value_mlt": [{"accessrole": "open_date", "date": [{"dateType": "Available", "dateValue": "2015-11-11"}], "displaytype": "detail", "download_preview_message": "", "file_order": 0, "filename": "JN2204.pdf", "filesize": [{"value": "612.7 kB"}], "format": "application/pdf", "future_date_message": "", "is_thumbnail": false, "licensetype": "license_note", "mimetype": "application/pdf", "size": 612700.0, "url": {"label": "JN2204.pdf", "objectType": "fulltext", "url": "https://nichibun.repo.nii.ac.jp/record/211/files/JN2204.pdf"}, "version_id": "661e4793-16a4-43ba-a225-83ec15609501"}]}, "item_keyword": {"attribute_name": "キーワード", "attribute_value_mlt": [{"subitem_subject": "ESTHETICS", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}, {"subitem_subject": "MODERNIZATION", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}, {"subitem_subject": "WESTERNISATION", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}, {"subitem_subject": "POPULARISATION", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}, {"subitem_subject": "MEIJI SHINKYOKU", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}, {"subitem_subject": "SŌKYOKU JIUTA", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}, {"subitem_subject": "KOTO", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}, {"subitem_subject": "OSAKA", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}, {"subitem_subject": "KIKUTAKA KENGYŌ", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}, {"subitem_subject": "TATEYAMA", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}, {"subitem_subject": "NOBORU", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}, {"subitem_subject": "MIYAGI MICHIO.", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}]}, "item_language": {"attribute_name": "言語", "attribute_value_mlt": [{"subitem_language": "eng"}]}, "item_resource_type": {"attribute_name": "資源タイプ", "attribute_value_mlt": [{"resourcetype": "departmental bulletin paper", "resourceuri": "http://purl.org/coar/resource_type/c_6501"}]}, "item_title": "Meiji shinkyoku : The Beginnings of Modern Music for the Koto", "item_titles": {"attribute_name": "タイトル", "attribute_value_mlt": [{"subitem_title": "Meiji shinkyoku : The Beginnings of Modern Music for the Koto", "subitem_title_language": "en"}]}, "item_type_id": "5", "owner": "30", "path": ["170"], "permalink_uri": "https://doi.org/10.15055/00000205", "pubdate": {"attribute_name": "PubDate", "attribute_value": "2012-03-15"}, "publish_date": "2012-03-15", "publish_status": "0", "recid": "211", "relation": {}, "relation_version_is_last": true, "title": ["Meiji shinkyoku : The Beginnings of Modern Music for the Koto"], "weko_shared_id": -1}
Meiji shinkyoku : The Beginnings of Modern Music for the Koto
https://doi.org/10.15055/00000205
https://doi.org/10.15055/00000205289cbd16-4ee8-4d7a-afda-c1059bf7b37f
名前 / ファイル | ライセンス | アクション |
---|---|---|
JN2204.pdf (612.7 kB)
|
|
Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
---|---|---|---|---|---|---|
公開日 | 2012-03-15 | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | Meiji shinkyoku : The Beginnings of Modern Music for the Koto | |||||
言語 | ||||||
言語 | eng | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.15055/00000205 | |||||
ID登録タイプ | JaLC | |||||
著者 |
FLAVIN, Philip
× FLAVIN, Philip |
|||||
著者別名 | ||||||
識別子Scheme | WEKO | |||||
識別子 | 21126 | |||||
姓名 | フラヴィン, フィリップ | |||||
言語 | ja | |||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | This paper argues for the success of early Meiji compositions for the koto, or Meiji shinkyoku, by suggesting that the composers’ adherence to premodern compositional models allowed for their continued appreciation. At the same time, however, these same composers effected a fundamental change in the esthetics of sōkyoku jiuta as they attempted to popularise their music. This change led to a new understanding of music, and allowed Tateyama Noboru (1876–1926) to turn to popular culture and initiate the modernization of koto music. This he did by introducing themes taken from Western military music and keyboard music into his compositions for koto. Tateyama’s innovations were a crucial step in the process of Japanese musical modernization as they led to the westernisation of music under Miyagi Michio (1894–1956) and the Movement for New Japanese Music. However, their reliance upon popular bourgeois culture weakened their esthetic value, despite their immense popularity. Tateyama’s works thus serve to highlight the strengths of the earlier Meiji shinkyoku and what followed with Miyagi, who finally left behind Japanese compositional moulds for forms from Western music. This essay elucidates why most of the compositions in the present day repertoire of Meiji shinkyoku are either by earlier composers or those who continued to compose according to earlier models. | |||||
言語 | en | |||||
書誌情報 |
en : Nichibunken Japan review : Journal of the International Research Center for Japanese Studies 巻 22, p. 103-123, 発行日 2010-01-01 |
|||||
ISSN | ||||||
収録物識別子タイプ | PISSN | |||||
収録物識別子 | 09150986 | |||||
ISSN | ||||||
収録物識別子タイプ | EISSN | |||||
収録物識別子 | 24343129 | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AA10759175 | |||||
著者版フラグ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
その他の言語のタイトル | ||||||
その他のタイトル | 明治新曲 : 琴のための近代音楽事始め | |||||
言語 | ja | |||||
出版者 | ||||||
言語 | en | |||||
出版者 | International Research Center for Japanese Studies | |||||
編者 | ||||||
寄与者タイプ | Editor | |||||
姓名 | BREEN, John | |||||
言語 | en | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | ESTHETICS | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | MODERNIZATION | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | WESTERNISATION | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | POPULARISATION | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | MEIJI SHINKYOKU | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | SŌKYOKU JIUTA | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | KOTO | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | OSAKA | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | KIKUTAKA KENGYŌ | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | TATEYAMA | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | NOBORU | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | MIYAGI MICHIO. |