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“International Contemporaneity” in the 1960s : Discoursing on Art in Japan and Beyond
https://doi.org/10.15055/00000213
https://doi.org/10.15055/00000213144b39fd-3848-4214-b7d6-46ee25722935
名前 / ファイル | ライセンス | アクション |
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JN2103.pdf (13.8 MB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2012-03-11 | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | “International Contemporaneity” in the 1960s : Discoursing on Art in Japan and Beyond | |||||
言語 | ||||||
言語 | eng | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.15055/00000213 | |||||
ID登録タイプ | JaLC | |||||
著者 |
TOMII, Reiko
× TOMII, Reiko |
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著者別名 | ||||||
識別子Scheme | WEKO | |||||
識別子 | 21110 | |||||
姓名 | 富井, 玲子 | |||||
言語 | ja | |||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | “Contemporaneity” is a key term that has recently entered the theoretical discourse on “contemporary art.” Its theoretical postulation has an intriguing precedent in 1960s Japan, where the area of practice called gendai bijutsu—literally, “contemporary art”—was firmly established, in part prompted by a heightened sense of kokusaiteki dōjisei, or “international contemporaneity.” As a historical concept, “international contemporaneity” concerns not so much an objective reality or a theoretical construct as a “shared perception” informed by a given locale’s interface with the outside world. This article offers a historical examination of “international contemporaneity” as it was articulated by the art critic Haryū Ichirō in the late 1960s. The locally specific nature of the Japanese term points to a particular condition that shaped Japanese art. Above all, the coinage was informed by the peripheral place Japan had long occupied in Eurocentric modern art history. Yet what may be called Japan's “peripheral vision” was cursed by the “catching up” mentality, which kept Japanese critics from truly understanding the innovation of the dematerialized and ephemeral practices emerging on their native soil, ranging from Gutai in the 1950s to Anti-Art (han-geijutsu) and Non-Art (hi-geijutsu) in the 1960s. Reexamining the thorny issue of “imitation” in order to devise a more nuanced methodology for studying “similar yet dissimilar” cases that embody the “contemporaneity” and “multiplicity” of contemporary art, this essay offers a new approach to incorporating locales on the perceived periphery into a broader narrative of world art history. | |||||
言語 | en | |||||
書誌情報 |
en : Nichibunken Japan review : Journal of the International Research Center for Japanese Studies 巻 21, p. 123-147, 発行日 2009-01-01 |
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ISSN | ||||||
収録物識別子タイプ | PISSN | |||||
収録物識別子 | 09150986 | |||||
ISSN | ||||||
収録物識別子タイプ | EISSN | |||||
収録物識別子 | 24343129 | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AA10759175 | |||||
著者版フラグ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
その他の言語のタイトル | ||||||
その他のタイトル | 1960年代における「国際的同時性」 : 日本を越えた美術言説をめざして | |||||
言語 | ja | |||||
出版者 | ||||||
言語 | en | |||||
出版者 | International Research Center for Japanese Studies | |||||
編者 | ||||||
寄与者タイプ | Editor | |||||
姓名 | BAXTER, James C. | |||||
言語 | en | |||||
編者 | ||||||
寄与者タイプ | Editor | |||||
姓名 | BREEN, John | |||||
言語 | en | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | CONTEMPORARY ART | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | 1960S | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | CONTEMPORANEITY | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | GLOBALIZATION | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | ORIGINALITY | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | ANTI-ART | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | NON-ART | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | SEKINE NOBUO | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | MONO-HA | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | GUTAI |