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The Interaction of Bengali and Japanese Artistic Milieus in the First Half of the Twentieth Century (1901–1945) : Rabindranath Tagore, Arai Kanpō, and Nandalal Bose
https://doi.org/10.15055/00000214
https://doi.org/10.15055/0000021417514456-82e6-45d4-b6d4-bb624144ae40
名前 / ファイル | ライセンス | アクション |
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JN2104.pdf (51.6 MB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2012-03-11 | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | The Interaction of Bengali and Japanese Artistic Milieus in the First Half of the Twentieth Century (1901–1945) : Rabindranath Tagore, Arai Kanpō, and Nandalal Bose | |||||
言語 | ||||||
言語 | eng | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.15055/00000214 | |||||
ID登録タイプ | JaLC | |||||
著者 |
INAGA, Shigemi
× INAGA, Shigemi |
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著者別名 | ||||||
識別子Scheme | WEKO | |||||
識別子 | 404 | |||||
識別子Scheme | e-Rad | |||||
識別子URI | https://nrid.nii.ac.jp/ja/search/?qm=40203195 | |||||
識別子 | 40203195 | |||||
姓名 | INAGA, Shigemi | |||||
言語 | en | |||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | In both India and Japan, the literature on twentieth-century art history has been elaborated within the framework of nation-building. Japan enjoyed independence during the first half of that century, while India endured colonial rule. However, the difference between polities did not prevent intellectuals from the two cultural spheres from engaging in intensive interactions. This essay focuses on Okakura Kakuzō (Tenshin), author of The Ideals of the East (1904), and the painters Yokoyama Taikan, Hishida Shunsō, and Arai Kanpō. Yokoyama and Hishida were invited to India through Okakura’s agency, and Yokoyama subsequently recommended Arai for an expedition to India. Exploring their deeds in this essay, the author seeks to shed new light on these figures’ relationships with Rabindranath Tagore, Abanindranath Tagore, and Nandalal Bose. Okakura and these Japanese painters provided technical and iconographic inspiration to Nandalal, and as they did so they were exposed to early twentieth-century India. Their engagement with modern India does not exclude ideological dimensions, and the author touches on those here, as well. Fitting into a project that has a reevaluation of Asian modernism as its ultimate objective, this essay locates these examples of mutual influence between Japan and Bengal within the larger context of Asian intellectual history in the first half of the twentieth century. | |||||
言語 | en | |||||
書誌情報 |
en : Nichibunken Japan review : Journal of the International Research Center for Japanese Studies 巻 21, p. 149-181, 発行日 2009-01-01 |
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ISSN | ||||||
収録物識別子タイプ | PISSN | |||||
収録物識別子 | 09150986 | |||||
ISSN | ||||||
収録物識別子タイプ | EISSN | |||||
収録物識別子 | 24343129 | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AA10759175 | |||||
著者版フラグ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
その他の言語のタイトル | ||||||
その他のタイトル | ロビンドロナート・タゴール、荒井寛方、ノンドラル・ボース : 20世紀前半のベンガルと日本との美術交流の一駒から | |||||
言語 | ja | |||||
出版者 | ||||||
言語 | en | |||||
出版者 | International Research Center for Japanese Studies | |||||
編者 | ||||||
寄与者タイプ | Editor | |||||
姓名 | BAXTER, James C. | |||||
言語 | en | |||||
編者 | ||||||
寄与者タイプ | Editor | |||||
姓名 | BREEN, John | |||||
言語 | en | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | ABANINDRANATH TAGORE | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | ARAI KANPŌ | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | BENGAL NEW | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | SCHOOL | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | NANDALAL BOSE | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | HISHIDA SHUNSŌ | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | MŌRŌTAI | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | NIPPON BIJUTSUIN | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | OKAKURA KAKUZŌ | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | SHIMOMURA KANZAN | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | TAKI SEIICHI | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | YOKOYAMA TAIKAN |