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The Making of Hokusai’s Reputation in the Context of Japonisme
https://doi.org/10.15055/00000256
https://doi.org/10.15055/000002563a60aece-f230-45dd-a2a9-549787706d5c
名前 / ファイル | ライセンス | アクション |
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IJ1503.pdf (560.2 kB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2012-03-15 | |||||
タイトル | ||||||
タイトル | The Making of Hokusai’s Reputation in the Context of Japonisme | |||||
言語 | ||||||
言語 | eng | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.15055/00000256 | |||||
ID登録タイプ | JaLC | |||||
著者 |
INAGA, Shigemi
× INAGA, Shigemi |
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著者別名 | ||||||
識別子Scheme | WEKO | |||||
識別子 | 404 | |||||
識別子Scheme | e-Rad | |||||
識別子URI | https://nrid.nii.ac.jp/ja/search/?qm=40203195 | |||||
識別子 | 40203195 | |||||
姓名 | INAGA, Shigemi | |||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | Hokusai is undoubtedly the best-known Japanese painter in the world, especially in Western countries. Some scholars would hesitate to regard him as the greatest master in Japanese art history, yet many studies have worked to justify and consolidate his reputation. Most of this writing, however, fails to note that Hokusai’s popularity is a historical product, or to examine the contexts in which his admirers first felt compelled to champion him as the preeminent hero of Japanese art. By questioning the apotheosis of Hokusai in the context of the vogue of “japonisme” in the second half of the nineteenth century in Europe, this paper tries to elucidate some of the underlying social and historical conditions that enabled and prepared the way for his glorification. How was a simple Japanese ukiyo-e print craftsman transfigured into the ultimate oriental master, comparable to such giants as Michelangelo, Rubens, and Rembrandt, and why was he so much admired by such great figures of modern art as Edouard Manet and Vincent Van Gogh? | |||||
書誌情報 |
Nichibunken Japan review : Journal of the International Research Center for Japanese Studies 巻 15, p. 77-100, 発行日 2003-01-01 |
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ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 09150986 | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AA10759175 | |||||
著者版フラグ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
その他の言語のタイトル | ||||||
その他のタイトル | 北斎とジャポニズム | |||||
出版者 | ||||||
出版者 | International Research Center for Japanese Studies | |||||
編者 | ||||||
BAXTER, James C. | ||||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | KATSUSHIKA HOKUSAI | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | LOUIS GONSE | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | WILLIAM ANDERSON | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | THÉODORE DURET | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | ERNEST FENOLLOSA | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | EDMOND DE GONCOURT | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | HISTORIOGRAPHY | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | ART EVALUATION | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | AUTHENTICITY | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | CANON FORMATION |