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Patronizing Images : Kōdai-in and Toyotomi Hideyoshi at Kōdai-ji
https://doi.org/10.15055/00000352
https://doi.org/10.15055/000003528d082a6b-6611-4f73-8218-147407449312
名前 / ファイル | ライセンス | アクション |
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IJ0706.pdf (1.8 MB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2012-03-09 | |||||
タイトル | ||||||
タイトル | Patronizing Images : Kōdai-in and Toyotomi Hideyoshi at Kōdai-ji | |||||
言語 | ||||||
言語 | eng | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.15055/00000352 | |||||
ID登録タイプ | JaLC | |||||
著者 |
SAMONIDES, William H.
× SAMONIDES, William H. |
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著者別名 | ||||||
識別子Scheme | WEKO | |||||
識別子 | 20786 | |||||
姓名 | サモニデス, ウィリアム H. | |||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | In a narrow sense, the topic of this paper is how art is made, specifically art at the temple of Kōdai-ji. Broadly speaking, its subject is how art history is made, in the assignment of responsibility of patronage in Japanese art history. Toyotomi Hideyoshi (1536-1598), Tokugawa Ieyasu (1542-1616)--and to a lesser extent, Kōdai-in (1548-1624)--have been given credit for the patronage of this temple. This paper contends that Hideyoshi's wife, Kōdai-in (1548-1624), should be considered the primary patron of this temple and its objects. A woman of considerable wealth, high social position, and political influence, she was quite capable of supporting and maintaining a temple of this size and grandeur. Kōdai-ji, one of the most important repositories of the art and architecture of the Momoyama period (1568-1615), was her crowning achievement, the culmination of at least three decades of her active patronage of the arts. Kōtoku-ji, an earlier temple established by her, and not Fushimi Castle, should be seen as the source for the structures transferred to Kōdai-ji at the time of its foundation. This revision of patronage attribution at Kōdai-ji has implications far beyond the bounds of the temple. It impacts on the origins of the larger genre of Kōdai-ji maki-e, the image of Toyotomi Hideyoshi, and the legacy of Fushimi Castle. It also suggests that the traditional historical roles assigned to women are partially responsible for why the art why the art patronage of Kōdai-in and other women are not more widely recognized. | |||||
書誌情報 |
Nichibunken Japan review : bulletin of the International Research Center for Japanese Studies 巻 7, p. 99-126, 発行日 1996-01-01 |
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ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 09150986 | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AA10759175 | |||||
著者版フラグ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
その他の言語のタイトル | ||||||
その他のタイトル | 後援者(パトロン)のイメージ : 高台院と高台寺の豊臣秀吉 | |||||
出版者 | ||||||
出版者 | International Research Center for Japanese Studies | |||||
編者 | ||||||
YAMADA, Keiji | ||||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | KŌDAI-JI | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | KŌDAI-IN | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | PATRONAGE | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | TOYOTOMI HIDEYOSHI | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | MAKI-E | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | FUSHIMI CASTLE | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | LAQUER | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | ART HISTORY | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | MOMOYAMA PERIOD | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | KITA-NO-MANDOKORO |