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<RESEARCH NOTES>Anne Boyd and Asia Music : the Formation of a Composer
https://doi.org/10.15055/00000356
https://doi.org/10.15055/000003566da94d01-a86f-4003-b549-32aaff017985
名前 / ファイル | ライセンス | アクション |
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IJ0710.pdf (831.3 kB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2012-03-09 | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | <RESEARCH NOTES>Anne Boyd and Asia Music : the Formation of a Composer | |||||
言語 | ||||||
言語 | eng | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.15055/00000356 | |||||
ID登録タイプ | JaLC | |||||
著者 |
TOKITA, Alison
× TOKITA, Alison |
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著者別名 | ||||||
識別子Scheme | WEKO | |||||
識別子 | 20794 | |||||
姓名 | トキタ, アリソン | |||||
言語 | ja | |||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | The appropriation of Asian music to form a contemporary musical voice can be observed in many countries. This study of the Australian woman composer, Anne Boyd (b. 1946), shows how Asian, particularly Japanese music was the essential stimulus for the creation of a personal, identifiably female musical idiom. Boyd's style reflects her understanding of the importance of meditative qualities in Asian music. A key example of her meditative style is the unaccompanied choral piece ""As I crossed a bridge of dreams"", inspired by Sarashina Nikki. Its choral textures recreate the timbres of the shō in the gagaku ensemble. Ultimately, Boyd can be called an orientalist, since ,despite her love of Asian music and philosophy, she seems uninterested in contemporary Asia. | |||||
言語 | en | |||||
書誌情報 |
en : Nichibunken Japan review : bulletin of the International Research Center for Japanese Studies 巻 7, p. 185-198, 発行日 1996-01-01 |
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ISSN | ||||||
収録物識別子タイプ | PISSN | |||||
収録物識別子 | 09150986 | |||||
ISSN | ||||||
収録物識別子タイプ | EISSN | |||||
収録物識別子 | 24343129 | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AA10759175 | |||||
著者版フラグ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
その他の言語のタイトル | ||||||
その他のタイトル | アジア音楽と作曲家の形成 : アン・ボイドの場合 | |||||
言語 | ja | |||||
出版者 | ||||||
言語 | en | |||||
出版者 | International Research Center for Japanese Studies | |||||
編者 | ||||||
寄与者タイプ | Editor | |||||
姓名 | YAMADA, Keiji | |||||
言語 | en | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | ANNE BOYD | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | AUSTRALIAN MUSIC | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | WOMAN COMPOSER | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | CONTEMPORARY MUSIC | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | ORIENTALISM | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | ASIAN MUSIC | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | JAPANESE MUSIC | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | ASIAN MUSICAL INFLUENCE | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | JAPANESE MUSICAL INFLUENCE | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | APPROPRIATION |