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Connaissance Délicieuse or the Science of Jealousy : Tsushima Yūko's Story "Kikumushi" (The Chrysanthemum Beetle)
https://doi.org/10.15055/00000384
https://doi.org/10.15055/0000038410d11706-86ba-4250-8276-c8cb2da29236
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
IJ0408.pdf (2.7 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2012-03-09 | |||||
| タイトル | ||||||
| タイトル | Connaissance Délicieuse or the Science of Jealousy : Tsushima Yūko's Story "Kikumushi" (The Chrysanthemum Beetle) | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | eng | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.15055/00000384 | |||||
| ID登録タイプ | JaLC | |||||
| 著者 |
MONNET, Livia
× MONNET, Livia |
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| 著者別名 | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 20646 | |||||
| 姓名 | モネ, リヴィア | |||||
| 言語 | ja | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | This essay analyzes the story "Kikumushi" (The Chrysanthemum Beetle) by the noted woman writer Tsushima Yūko (b. 1947). Though most Japanese critics claim that Tsushima's writings have a narrow focus, revolving around a few, readily identifiable "themes" and "motifs" such as the brother-sister incest, the marginalization of single mothers and their children in contemporary Japanese society, the meaninglessness and absurdity of family ties/blood relationships and the various ways in which lonely, defiant women challenge traditional discourses on motherhood and female sexuality, "Kikumushi" demonstrates that Tsushima's texts not only display a complex narrative structure, but articulate critiques that transcend the Japanese context and raise important questions for feminist cross-cultural analyses. By contrasting "Kikumushi" with the sarayashiki (Manor-of-the-Dishes) tradition which significantly structures Tsushima's narrative, by bringing several theoretical perspectives to bear on, and especially by highlighting the play of fantasy in the story, this study shows that, in the face of a non-anthropocentric, continually shifting mythical discursive space such as that envisioned by Tsushima our habitual interpretive strategies--even the most "subversive" and "politically correct" ones--are largely inadequate and that a new critical discourse has to be invented. | |||||
| 言語 | en | |||||
| 書誌情報 |
en : Nichibunken Japan review : bulletin of the International Research Center for Japanese Studies 巻 4, p. 199-239, 発行日 1993-01-01 |
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| ISSN | ||||||
| 収録物識別子タイプ | PISSN | |||||
| 収録物識別子 | 09150986 | |||||
| ISSN | ||||||
| 収録物識別子タイプ | EISSN | |||||
| 収録物識別子 | 24343129 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA10759175 | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
| その他の言語のタイトル | ||||||
| その他のタイトル | 嫉妬心学と恍惚としての認識 : 津島佑子の短編「菊虫」 | |||||
| 言語 | ja | |||||
| 出版者 | ||||||
| 出版者 | International Research Center for Japanese Studies | |||||
| 言語 | en | |||||
| 編者 | ||||||
| 寄与者タイプ | Editor | |||||
| 姓名 | ITO, Shuntaro | |||||
| 言語 | en | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | SARAYASHIKI (MANOR-OF-THE-DISHES) TRADITION | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | FANTASY | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | EPISTEMOLOGY OF JEALOUSY | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | REPRESENTATION OF THE FEMALE SUBJECT | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | FEMINIST FILM THEORY | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | POSTMODERNISM | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | LITERATURE AS ETHNOGRAPHY | |||||
