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The Space Category in Medieval Japanese Literature
https://doi.org/10.15055/00006151
https://doi.org/10.15055/00006151bc633e6e-0915-46e0-b74f-5ec4f737d9d6
名前 / ファイル | ライセンス | アクション |
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IJ0606.pdf (782.0 kB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2012-03-15 | |||||
タイトル | ||||||
タイトル | The Space Category in Medieval Japanese Literature | |||||
言語 | ||||||
言語 | eng | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.15055/00006151 | |||||
ID登録タイプ | JaLC | |||||
著者 |
GOREGLIAD, Vladislav N.
× GOREGLIAD, Vladislav N. |
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著者別名 | ||||||
識別子Scheme | WEKO | |||||
識別子 | 20681 | |||||
姓名 | ゴレグリヤード, ウラジスラフ | |||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | The role of the fictional space in literary work depends on the correlations between on the one hand the world of ideas and emotions, and on the other hand the world of things, and in the final analysis on the ideological categories of the work. | |||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | The external world in waka poetry is regarded elementwise. The poetical context of each element of the world is functionally connected with the emotions of the lyrical character and converted into the symbol which marks the fixed kind of emotions. | |||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | Both the human fortunes and the state of nature in the Gunki monogatari are submitted to the comprehensive conception (i.e. the idea of the karma in the Heike monogatari or the idea of the vassal loyalty in the Taiheiki). | |||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | The main distinctive feature of the space depicted in the nikki and zuihitsu is its reality. But the role of the space depicted is different dependent on the peculiarity of the work. | |||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | In the travelers' notes (kikobun) the idea of the space is closely connected with the ones of time and movement. | |||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | The author's distinction in the approaches to the space ere was obliged by the ultimate aim of the travel. | |||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | From the passage: "I became very restless and got an image of Yakushi Buddha made as large as myself. When I was alone I washed my hands and went secretly before the altar and prayed to him with all my life, bowing my head down to the floor. Please let me go to the Royal City. There I can find many tales. Let me read all of them." (Transl. by A. Omori and K. Doi) The distinctive aim of the author's travel in the Sarashina nikki became clear. | |||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | In accordance with this aim the space became more capacious, the ultimate aim of the traveler (narrator) of the Izayoi nikki is to introduce the role of her family in traditional poetical art to the Shogun authorities as the argument in her lawsuit for the Hosokawa estate. The movement as such did not have a leading importance in the travel notes of nun Abutsu. In this sense the role of movement in the Izayoi nikki and Sarashina nikki are the same. | |||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | The attention of the author in the Tokan kiko is paid to his travel and the objects he came across along the way. This type of the description is narrow for Japanese poetry. | |||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | The aim of the pilgrimages in the Kagero nikki is to abstract the heroine from the changes in her feelings from her thoughts. In a broad sense these descriptions are close to ones in the Tokan kiko, but are concentrated on the inner life of the heroine. | |||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | The rare descriptions of nature in the Genji monogatari have two tasks, namely to determine the mood of the character and to introduce the reader into the situation. In the later monogatari (for instance Towazugatari) both types of descriptions become more extensive. | |||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | In accordance with the scale of descriptions of the external world these literary works may be divided in to three main categories. Namely, the large scale (as in the Gunki monogatari and zuihitsu), the middle scale (as in the Tosa nikki and Tokan kiko) and the small scale (as in Murasaki Shikibu nikki). The large literary scale descriptions approximate to the manner of the philosophical treatises; the middle scale descriptions to the manner of waka; and the small scale ones to non-artistic descriptions. The authors' imagination is especially expressed in the large and middle scale descriptions. | |||||
書誌情報 |
Nichibunken Japan review : bulletin of the International Research Center for Japanese Studies 巻 6, p. 93-106, 発行日 1995-01-01 |
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ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 09150986 | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AA10759175 | |||||
著者版フラグ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
その他の言語のタイトル | ||||||
その他のタイトル | 中世日本文学における空間の役割 | |||||
出版者 | ||||||
出版者 | International Research Center for Japanese Studies | |||||
編者 | ||||||
SUGIMOTO, Hidetaro | ||||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | FICTIONAL SPACE | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | EXTERNAL WORLD | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | GUNKI MONOGATARI | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | NIKKI | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | ZUIHITSU | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | KIKO BUNGAKU | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | WAKA | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | PAINTING (SUIBOKUGA, HAIGA) | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | BUDDHISM | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | CONFUCIANISM |