Introduction

3-14

<1) RECEPTION>Who Were the Audiences for Shunga?

17-36

<1) RECEPTION>The Reception of Shunga in the Modern Era : Form Meiji to the Pre-WWII Years

37-55

<2) CONTEXT AND FORMAT>Historiography of the "Phallic Contest" Handscroll in Japanese Art

59-82

<2) CONTEXT AND FORMAT>Japanese Illustrated Erotic Books in the Context of Commercial Publishing, 1660-1868

83-96

<3) SHUNGA IN KYOTO AND OSAKA>Affirming the Life Erotic : Yoshida Hanbei's Koshoku kinmo zui (1686)

99-116

<3) SHUNGA IN KYOTO AND OSAKA>Allegories of Love

117-135

<3) SHUNGA IN KYOTO AND OSAKA>Nishikawa Sukenobu : One Hundred Women, Two Stories, and a Reconsideration

137-149

<3) SHUNGA IN KYOTO AND OSAKA>Tsukioka Settei's Erotic Paintings

151-167

<3) SHUNGA IN KYOTO AND OSAKA>Analyzing the Outrageous : Takehara Shunchosai's Shunga Book Makura doji nukisashi manben tamaguki (Pillow Book for the Young, 1776)

169-193

<3) SHUNGA IN KYOTO AND OSAKA>Intertextual Divertissement, Sexual Education and Entertaining Humor : The World of Onna enshi kyokun kagami

195-212

<4) KABUKI AND VIOLENCE IN EDO SHUNGA>Kabuki Actors in Erotic Books (Shunpon)

215-237

<4) KABUKI AND VIOLENCE IN EDO SHUNGA>No Laughing Matter : A Ghastly Shunga Illustration by Utagawa Toyokuni

239-255

<5) MODERN TRANSFORMATION>Shunga in the Meiji Era : The End of a Tradition?

259-276