日本研究
Japan Review
日文研叢書
Nichibunken Monograph Series
共同研究報告書
国際シンポジウム(報告書)
海外シンポジウム報告書
世界の日本研究
日文研フォーラム
日文研
Nichibunken Newsletter
海外日本像集成
異邦人のまなざし
日文研所蔵図書目録
その他日文研出版物
個人著作物(日文研出版物以外)
Preface
5-6
Acknowledgements
8
A Few Afterthoughts on Places, Cuts, and Promises
15-29
Philosophy, Ethics and Aesthetics in the Far-Eastern Cultural Sphere: Receptions of the Western Ideas and Reactions to the Western Cultural Hegemony
31-45
Korean Modern Reactions to Western Aesthetics
47-65
Soft Power of the Soft Art: Jiu-jitsu in the British Empire of the Early 20th Century
69-80
Comments on Hashimoto’s Paper
81
Osvald Sirén's Encounter with the Arts of China and Japan
83-90
Comments on Törmä's Paper
91
Japanese Traditional Architecture in the Face of Its Modernisation: Bruno Taut in Japan
93-111
Japan Seeks an Image as an Emerging Colonial Empire: The Japan-British Exhibition of 1910 in London
115-133
Modern Chinese Intellectuals and the 1935 London International Exhibition of Chinese Art: The Reactions of Cai Yuanpei and The China Critic Group
135-163
From Japan to Europe: Teng Gu’s Internalization of Western Art Historical Ideas
165-182
Kishida Ryūsei: Painter of “Oriental Grotesque” and the Mingei Movement
185-196
Comments on Wong’s Paper
197-198
Aesthetic of Imperfection: Discovering the Value of Discontinuity and Fragmentation
199-209
Visualising Oriental Crafts: Contested Notion of ‘Japaneseness’ and the Crafts of the Japanese Empire
211-235
Ethics of Emptiness East and West: Examining Nishitani, Watsuji and Berdyaev
237-261
Ōmura Seigai’s Conception of Oriental Art History and China
265-287
Tracing Japan’s Antiquity: Photography, Archaeology and Representations of Kyŏngju
289-316
Comments on Krischer’s and Pai’s Papers
317-318
The “Oriental Guru” in the Modern Artist: Asian Spiritual and Performative Aspects of Postwar American Art
321-336
Butoh: A Dance Experience to Recreate the Body beyond the East-West Dichotomies
337-348
Beyond the East and the West: An African View of Japanese Aesthetics
351-367
Comments on Kaputu's Paper and Presentation
369-370
For what are we still at a loss?――General Comments on the Symposium
373-375
A Comment: The Excessive Half in the Aesthetic Figurations of “Cut,” “Imperfection” and “Emptiness” in Japan
377-382