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Under a Black Sun : Christian Students and Kyoto Intellectuals Challenge the Industrial Modernity of Expo ’70
https://nichibun.repo.nii.ac.jp/records/2000453
https://nichibun.repo.nii.ac.jp/records/2000453ab8c1b3e-0bbf-481d-af2b-b2c87176c0c8
| 名前 / ファイル | ライセンス | アクション |
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| Item type | 学術雑誌論文 / Journal Article(1) | |||||||
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| 公開日 | 2025-08-08 | |||||||
| タイトル | ||||||||
| タイトル | Under a Black Sun : Christian Students and Kyoto Intellectuals Challenge the Industrial Modernity of Expo ’70 | |||||||
| 言語 | en | |||||||
| 言語 | ||||||||
| 言語 | eng | |||||||
| 資源タイプ | ||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||
| 資源タイプ | journal article | |||||||
| 著者 |
KNAUDT, Till
× KNAUDT, Till
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| 抄録 | ||||||||
| 内容記述タイプ | Abstract | |||||||
| 内容記述 | The 1970 Japan World Exposition in Osaka is often understood as a spectacle of Japanese ultramodernity. However, recent research suggests that the Expo instead represented the rise of post-modernism in Japan. Abandoning mass politics, the Expo became a space for postmodernist political irony, such as the Black Sun Face that Okamoto Tarō directed at the Shōwa Emperor during the opening ceremony. This article argues that both creators and protesters of the Expo challenged Western-liberal industrial modernity through the politics of diversity. At the forefront of protests against the Expo were the Protestant Christian students of the United Church of Christ in Japan, who banned the participation of their congregations in the Expo. However, the Expo’s actual planners also subverted the western-liberal industrial modernity at its heart. The Kangaerukai—comprising Kyoto University academics, many from the Institute for Research in Humanities, and the science fiction writer Komatsu Sakyō—envisioned the Expo as a festival that would focus on a “diversity” of civilizations, with the “West” at the periphery and Japan as the communicative center. By cooperating with political elites from right and left, the Kangaerukai was successful in creating a high-industrial cultural marketplace, celebrating a capitalist modernity of global diversity, and laying the groundwork for the idea of productivity through cultural self-actualization. |
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| 言語 | en | |||||||
| 内容記述 | ||||||||
| 内容記述タイプ | Other | |||||||
| 内容記述 | Early Access Publishing date: 2025/07/31 | |||||||
| 言語 | en | |||||||
| 書誌情報 |
en : Japan Review : Journal of the International Research Center for Japanese Studies p. none, 発行日 2025-07 |
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| ISSN | ||||||||
| 収録物識別子タイプ | PISSN | |||||||
| 収録物識別子 | 09150986 | |||||||
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| 収録物識別子タイプ | EISSN | |||||||
| 収録物識別子 | 24343129 | |||||||
| 書誌レコードID | ||||||||
| 収録物識別子タイプ | NCID | |||||||
| 収録物識別子 | AA10759175 | |||||||
| DOI | ||||||||
| 関連タイプ | isIdenticalTo | |||||||
| 識別子タイプ | DOI | |||||||
| 関連識別子 | https://doi.org/10.69307/japanreview.2025.Knaudt | |||||||
| 著者版フラグ | ||||||||
| 出版タイプ | VoR | |||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||
| 出版者 | ||||||||
| 出版者 | International Research Center for Japanese Studies | |||||||
| 言語 | en | |||||||
| 編者 | ||||||||
| 寄与者タイプ | Editor | |||||||
| 姓名 | BOYLE, Edward | |||||||
| 言語 | en | |||||||
| キーワード | ||||||||
| 言語 | en | |||||||
| 主題Scheme | Other | |||||||
| 主題 | Diversity | |||||||
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| 言語 | en | |||||||
| 主題Scheme | Other | |||||||
| 主題 | Japan | |||||||
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| 言語 | en | |||||||
| 主題Scheme | Other | |||||||
| 主題 | Komatsu Sakyō | |||||||
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| 言語 | en | |||||||
| 主題Scheme | Other | |||||||
| 主題 | Kuwabara Takeo | |||||||
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| 言語 | en | |||||||
| 主題Scheme | Other | |||||||
| 主題 | Umesao Tadao | |||||||
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| 言語 | en | |||||||
| 主題Scheme | Other | |||||||
| 主題 | Beheiren | |||||||
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| 言語 | en | |||||||
| 主題Scheme | Other | |||||||
| 主題 | United Church of Christ in Japan | |||||||
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| 言語 | en | |||||||
| 主題Scheme | Other | |||||||
| 主題 | de-centering the West | |||||||
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| 言語 | en | |||||||
| 主題Scheme | Other | |||||||
| 主題 | student movement | |||||||
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| 言語 | en | |||||||
| 主題Scheme | Other | |||||||
| 主題 | Kyoto University | |||||||