{"created":"2023-05-15T13:44:48.196279+00:00","id":219,"links":{},"metadata":{"_buckets":{"deposit":"1ec24a31-e144-498b-b1c3-66c576af108b"},"_deposit":{"created_by":30,"id":"219","owners":[30],"pid":{"revision_id":0,"type":"depid","value":"219"},"status":"published"},"_oai":{"id":"oai:nichibun.repo.nii.ac.jp:00000219","sets":["165:171"]},"author_link":["21110","21109"],"item_1687303740024":{"attribute_name":"編者","attribute_value_mlt":[{"contributorNames":[{"contributorName":"BAXTER, James C.","lang":"en"}],"contributorType":"Editor"},{"contributorNames":[{"contributorName":"BREEN, John","lang":"en"}],"contributorType":"Editor"}]},"item_5_alternative_title_20":{"attribute_name":"その他の言語のタイトル","attribute_value_mlt":[{"subitem_alternative_title":"1960年代における「国際的同時性」 : 日本を越えた美術言説をめざして","subitem_alternative_title_language":"ja"}]},"item_5_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2009-01-01","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"147","bibliographicPageStart":"123","bibliographicVolumeNumber":"21","bibliographic_titles":[{"bibliographic_title":"Nichibunken Japan review : Journal of the International Research Center for Japanese Studies","bibliographic_titleLang":"en"}]}]},"item_5_description_4":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"“Contemporaneity” is a key term that has recently entered the theoretical discourse on “contemporary art.” Its theoretical postulation has an intriguing precedent in 1960s Japan, where the area of practice called gendai bijutsu—literally, “contemporary art”—was firmly established, in part prompted by a heightened sense of kokusaiteki dōjisei, or “international contemporaneity.” As a historical concept, “international contemporaneity” concerns not so much an objective reality or a theoretical construct as a “shared perception” informed by a given locale’s interface with the outside world. This article offers a historical examination of “international contemporaneity” as it was articulated by the art critic Haryū Ichirō in the late 1960s. The locally specific nature of the Japanese term points to a particular condition that shaped Japanese art. Above all, the coinage was informed by the peripheral place Japan had long occupied in Eurocentric modern art history. Yet what may be called Japan's “peripheral vision” was cursed by the “catching up” mentality, which kept Japanese critics from truly understanding the innovation of the dematerialized and ephemeral practices emerging on their native soil, ranging from Gutai in the 1950s to Anti-Art (han-geijutsu) and Non-Art (hi-geijutsu) in the 1960s. Reexamining the thorny issue of “imitation” in order to devise a more nuanced methodology for studying “similar yet dissimilar” cases that embody the “contemporaneity” and “multiplicity” of contemporary art, this essay offers a new approach to incorporating locales on the perceived periphery into a broader narrative of world art history.","subitem_description_language":"en","subitem_description_type":"Abstract"}]},"item_5_full_name_3":{"attribute_name":"著者別名","attribute_value_mlt":[{"nameIdentifiers":[{"nameIdentifier":"21110","nameIdentifierScheme":"WEKO"}],"names":[{"name":"富井, 玲子","nameLang":"ja"}]}]},"item_5_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.15055/00000213","subitem_identifier_reg_type":"JaLC"}]},"item_5_publisher_33":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"International Research Center for Japanese Studies","subitem_publisher_language":"en"}]},"item_5_source_id_10":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA10759175","subitem_source_identifier_type":"NCID"}]},"item_5_source_id_8":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"09150986","subitem_source_identifier_type":"PISSN"},{"subitem_source_identifier":"24343129","subitem_source_identifier_type":"EISSN"}]},"item_5_version_type_16":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"TOMII, Reiko","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"21109","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2015-11-11"}],"displaytype":"detail","filename":"JN2103.pdf","filesize":[{"value":"13.8 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"JN2103.pdf","objectType":"fulltext","url":"https://nichibun.repo.nii.ac.jp/record/219/files/JN2103.pdf"},"version_id":"4e36b5e0-f47d-4f56-8c1c-b58af6af3c3e"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"CONTEMPORARY ART","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"1960S","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"CONTEMPORANEITY","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"GLOBALIZATION","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"ORIGINALITY","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"ANTI-ART","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"NON-ART","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"SEKINE NOBUO","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"MONO-HA","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"GUTAI","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"eng"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"“International Contemporaneity” in the 1960s : Discoursing on Art in Japan and Beyond","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"“International Contemporaneity” in the 1960s : Discoursing on Art in Japan and Beyond","subitem_title_language":"en"}]},"item_type_id":"5","owner":"30","path":["171"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2012-03-11"},"publish_date":"2012-03-11","publish_status":"0","recid":"219","relation_version_is_last":true,"title":["“International Contemporaneity” in the 1960s : Discoursing on Art in Japan and Beyond"],"weko_creator_id":"30","weko_shared_id":-1},"updated":"2024-01-05T07:24:58.413180+00:00"}