{"created":"2023-05-15T13:44:48.959497+00:00","id":237,"links":{},"metadata":{"_buckets":{"deposit":"d81e9a7b-9208-480f-9e12-b0cdb11e4747"},"_deposit":{"created_by":30,"id":"237","owners":[30],"pid":{"revision_id":0,"type":"depid","value":"237"},"status":"published"},"_oai":{"id":"oai:nichibun.repo.nii.ac.jp:00000237","sets":["165:173"]},"author_link":["404","404"],"item_1687303740024":{"attribute_name":"編者","attribute_value_mlt":[{"contributorNames":[{"contributorName":"BAXTER, James C.","lang":"en"}],"contributorType":"Editor"}]},"item_5_alternative_title_20":{"attribute_name":"その他の言語のタイトル","attribute_value_mlt":[{"subitem_alternative_title":"陶芸と彫刻のあいだに引かれた傷跡 : 日本の伝統と西欧の前衛との狭間に八木一夫の造形思考を検討する","subitem_alternative_title_language":"ja"}]},"item_5_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2007-01-01","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"159","bibliographicPageStart":"133","bibliographicVolumeNumber":"19","bibliographic_titles":[{"bibliographic_title":"Nichibunken Japan review : journal of the International Research Center for Japanese Studies","bibliographic_titleLang":"en"}]}]},"item_5_description_4":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"Yagi Kazuo (1918–1979), an avant-gardrde master of clay work, made his reputation by liberating Japanese potteryry from its traditional constraints. Though he is regardrded as a genius in the world of ceramic artrt, his fame still seems to be confined in the categoryry of “heretic potter” (itan no tokoōkokoō); he is not yet fully recognized as an artrtist in the Western sense of the term. My intention here, however, is not to classify Yagi as one of the leading artrtists of the twentieth centuryry. Rather, it is to show that his clay workrk poses a fundamental question about the veryry notion of fine artrt. His workrk is, I believe, located at the extreme end of the boundaryry where the Western sculpture and Oriental potteryry meet. If modern sculpture expresses itself through the material which is shaped or molded accordrding to the will of its author, traditional potteryry contains a void in its heartrt and the material is accumulated around this void in the equilibrium between the centrifugal forcrce of the wheel and the aggregating nature of the sticky clay. Far from being a master of his own creation, the potter plays the role of mediator between the material and his own hand, and he has to submit the result to the final proof of the fire which is no less whimsical than mystical. Yagi struggled to find the narrow path between the two incompatible value systems. How to reply to the calling to conceptual artrt of autonomous form which must be realized in the future, on the one hand, and at the same time remain faithful to past tradition which was subordrdinated to utilitarian aims, on the other. Once liberated from its primaryry function of container holding the liquid, a vase, for example, begins to exteriorize, through Yagi’s mediation, the potential that until then had been dormant within its interior.","subitem_description_language":"en","subitem_description_type":"Abstract"}]},"item_5_full_name_3":{"attribute_name":"著者別名","attribute_value_mlt":[{"nameIdentifiers":[{"nameIdentifier":"404","nameIdentifierScheme":"WEKO"},{"nameIdentifier":"40203195","nameIdentifierScheme":"e-Rad","nameIdentifierURI":"https://nrid.nii.ac.jp/ja/search/?qm=40203195"}],"names":[{"name":"稲賀, 繁美","nameLang":"ja"}]}]},"item_5_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.15055/00000231","subitem_identifier_reg_type":"JaLC"}]},"item_5_publisher_33":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"International Research Center for Japanese Studies","subitem_publisher_language":"en"}]},"item_5_source_id_10":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA10759175","subitem_source_identifier_type":"NCID"}]},"item_5_source_id_8":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"09150986","subitem_source_identifier_type":"PISSN"},{"subitem_source_identifier":"24343129","subitem_source_identifier_type":"EISSN"}]},"item_5_text_62":{"attribute_name":"特集号タイトル","attribute_value_mlt":[{"subitem_text_language":"en","subitem_text_value":"Twentieth Anniversary of the Founding of the International Research Center for Japanese Studies"}]},"item_5_version_type_16":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"INAGA, Shigemi","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"404","nameIdentifierScheme":"WEKO"},{"nameIdentifier":"40203195","nameIdentifierScheme":"e-Rad","nameIdentifierURI":"https://nrid.nii.ac.jp/ja/search/?qm=40203195"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2015-11-11"}],"displaytype":"detail","filename":"JN1905.pdf","filesize":[{"value":"8.6 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"JN1905.pdf","objectType":"fulltext","url":"https://nichibun.repo.nii.ac.jp/record/237/files/JN1905.pdf"},"version_id":"72ba623a-dbd7-4aa2-8092-3e691774bf8e"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"YAGI KAZUO","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"AVANT-GARDE","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"CERAMIC ART","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"SCULPTURE","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"JAPANESE POSTWAR ART SCENE","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"fra"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"Les Traces d’une blessure créatrice : Yagi Kazuo entre la tradition japonaise et l’avant-garde occidentale","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"Les Traces d’une blessure créatrice : Yagi Kazuo entre la tradition japonaise et l’avant-garde occidentale","subitem_title_language":"fr"}]},"item_type_id":"5","owner":"30","path":["173"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2012-03-10"},"publish_date":"2012-03-10","publish_status":"0","recid":"237","relation_version_is_last":true,"title":["Les Traces d’une blessure créatrice : Yagi Kazuo entre la tradition japonaise et l’avant-garde occidentale"],"weko_creator_id":"30","weko_shared_id":-1},"updated":"2024-01-17T08:27:39.150048+00:00"}