@article{oai:nichibun.repo.nii.ac.jp:00000354,
 author = {SUZUKI, Sadami},
 journal = {Nichibunken Japan review : bulletin of the International Research Center for Japanese Studies},
 month = {Jan},
 note = {No doubt, TANIZAKI Jun'ichirō is one of the greatest modern Japanese writers.  The critical appraisal of his works, however, is by no means uniform.  Especially, the texts TANIZAKI published during the 1910s and the early -1920s are regarded as the so-called culture of the erotic, grotesque, nonsensical (ero guro nansensu) which were the main characteristics of Japanese mass culture in the late-1920s and early-1930s.  In this essay, I discuss briefly the significance of eroticism, grotesquerie, nonsense in the Taishō period, and the works TANIZAKI published, as well as during the Shōwa period, which exhibit a critical stance, a spirit of resistance, toward the dominant culture of each period.  Although of the most politically minded writers in modern Japan.},
 pages = {23--32},
 title = {Tanizaki Jun'ichirō as Cultural Critic},
 volume = {7},
 year = {1996}
}