@article{oai:nichibun.repo.nii.ac.jp:00006030,
 author = {INAGA, Shigemi},
 journal = {Japan review : Journal of the International Research Center for Japanese Studies},
 month = {Dec},
 note = {Contributing to the discourse on a “Global Cézanne Effect,” this essay examines the artistic and critical reception of Paul Cézanne in Japan during the early twentieth century. The author pays particular attention to the complex relationship between the French artist’s painting practice and Eastern aesthetic theory. Compatibilities arise, at times, as a result of accidental or even willful mistranslations of French, English and German texts. The author also analyzes Cézanne’s reception in the context of German Expressionism’s foray into East Asia, along with the contemporary resurgence of Southern school literati painting.},
 pages = {133--172},
 title = {Between Revolutionary and Oriental Sage: Paul Cézanne in Japan},
 volume = {28},
 year = {2015}
}