{"created":"2023-05-15T13:49:38.756529+00:00","id":6860,"links":{},"metadata":{"_buckets":{"deposit":"1f64d4f8-eda0-407b-b27c-ae76ca9b338b"},"_deposit":{"created_by":30,"id":"6860","owners":[30],"pid":{"revision_id":0,"type":"depid","value":"6860"},"status":"published"},"_oai":{"id":"oai:nichibun.repo.nii.ac.jp:00006860","sets":["165:980"]},"author_link":["20367"],"item_1687303740024":{"attribute_name":"編者","attribute_value_mlt":[{"contributorNames":[{"contributorName":"BREEN, John","lang":"en"}],"contributorType":"Editor"}]},"item_5_alternative_title_20":{"attribute_name":"その他の言語のタイトル","attribute_value_mlt":[{"subitem_alternative_title":"グローバル・イシューに反応するローカル演劇 : 日本の辺境から見た3・11","subitem_alternative_title_language":"ja"}]},"item_5_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2017","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"139","bibliographicPageStart":"123","bibliographicVolumeNumber":"31","bibliographic_titles":[{"bibliographic_title":"Japan review : Journal of the International Research Center for Japanese Studies","bibliographic_titleLang":"en"}]}]},"item_5_description_4":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"Scrutinizing local theater productions from Aomori, this article looks into the role of the arts as a critical voice after the 2011 triple disaster. The Aomori perspective is of special interest in this context. While the city was hardly afflicted by the calamity, Aomori is part of Japan’s northern periphery and home to nuclear facilities, thereby sharing central problems with the disaster zones such as economic hardship, depopulation, and the threat of nuclear contamination. I analyze two plays by Hatasawa Seigo, a local playwright, director, and high school teacher. The first, Moshiita: Moshi kōkō yakyū no joshi manējā ga Aomori no “ itako” o yondara (Moshiita: What if the Manager of a High School Baseball Team Called in an Aomori itako Shaman, 2011), was written for and performed by the high school drama club under Hatasawa’s supervision and won the National High School Drama Competition Prize 2012. Originally planned for performances in consolatory visits to the afflicted areas, it was eventually staged nationwide. The second, Saraba! Genshiryoku robo Mutsu: Ai · senshihen (Farewell to Nuclear Robot Mutsu: Soldiers of Love, 2014) is a newly arranged version of a play written for Hatasawa’s troupe Watanabe Genshirō Shōten (Nabegen) in 2012. The satirical piece is rare in that it focuses on the global issue of nuclear waste disposal. Analyzing two plays by this local director, who is gaining recognition and reputation on a national level, this article aims to scrutinize how these performances relate to site-specific memories and stories and construct narratives that go against the dominant Tokyo perspective.","subitem_description_language":"en","subitem_description_type":"Abstract"}]},"item_5_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.15055/00006840","subitem_identifier_reg_type":"JaLC"}]},"item_5_publisher_33":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"International Research Center for Japanese Studies","subitem_publisher_language":"en"}]},"item_5_source_id_10":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA10759175","subitem_source_identifier_type":"NCID"}]},"item_5_source_id_8":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"09150986","subitem_source_identifier_type":"PISSN"},{"subitem_source_identifier":"24343129","subitem_source_identifier_type":"EISSN"}]},"item_5_version_type_16":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"GEILHORN, Barbara","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"20367","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2020-03-04"}],"displaytype":"detail","filename":"jare_031_123.pdf","filesize":[{"value":"1.9 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"jare_031_123.pdf","objectType":"fulltext","url":"https://nichibun.repo.nii.ac.jp/record/6860/files/jare_031_123.pdf"},"version_id":"d42ab17f-4b40-4697-8f45-6ffe2d805224"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"現代演劇","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"地方演劇","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"学校演劇","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"畑澤聖悟","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"ヒーリング（癒やし）","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"トラウマ処理プロセッシング","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"社会政治的批評","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"核批判","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"核廃棄物処理","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"エコクリティシズム","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"CONTEMPORARY THEATER","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"REGIONAL THEATER","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"SCHOOL THEATER","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"HATASAWA SEIGO","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"EMOTIONAL HEALING (IYASHI)","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"PROCESSING TRAUMA","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"SOCIOPOLITICAL CRITIQUE","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"NUCLEAR CRITICISM","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"NUCLEAR WASTE DISPOSAL","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"ECOCRITICISM","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"eng"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"Local Theater Responding to a Global Issue : 3.11 Seen from Japan's Periphery","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"Local Theater Responding to a Global Issue : 3.11 Seen from Japan's Periphery","subitem_title_language":"en"}]},"item_type_id":"5","owner":"30","path":["980"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2020-03-04"},"publish_date":"2020-03-04","publish_status":"0","recid":"6860","relation_version_is_last":true,"title":["Local Theater Responding to a Global Issue : 3.11 Seen from Japan's Periphery"],"weko_creator_id":"30","weko_shared_id":-1},"updated":"2024-04-09T08:08:50.766349+00:00"}