@article{oai:nichibun.repo.nii.ac.jp:00007317,
 author = {YAMADA, Shōji},
 journal = {International Journal of Cultural Property},
 month = {},
 note = {In many temples in and around Kyoto, sets of wall and slide door paintings and folding screen
paintings, which are designated either national treasures or important cultural properties of Japan,
have been replaced in situ by high-quality digital reproductions. The original paintings, in turn,
are now largely out of sight, placed in storage spaces within temples and museums. Vanguard
projects of this nature were conducted in the mid-1990s. Since the mid-2000s, however, and
without adequate review of the merits and demerits of such replacement, the practice has
accelerated, and numerous sets of slide door paintings have been replaced by reproductions
produced for the most part by two competing corporations. The process and implication of such
digital replacement require far greater attention and discussion than has to date taken place.
Accordingly, this article seeks to clarify the current status of, and problems arising from, the
digitization projects taking place in and around Kyoto.},
 pages = {295--320},
 title = {Who Moved My Masterpiece?  : Digital Reproduction, Replacement, and the Vanishing Cultural Heritage of Kyoto},
 volume = {24},
 year = {2017}
}