{"created":"2023-05-15T13:49:56.625943+00:00","id":7317,"links":{},"metadata":{"_buckets":{"deposit":"6bdb91fc-8950-485e-82a1-d880e38dfaa9"},"_deposit":{"created_by":21,"id":"7317","owners":[21],"pid":{"revision_id":0,"type":"depid","value":"7317"},"status":"published"},"_oai":{"id":"oai:nichibun.repo.nii.ac.jp:00007317","sets":["6:887"]},"author_link":["17875","17874"],"item_2_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2017","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"320","bibliographicPageStart":"295","bibliographicVolumeNumber":"24","bibliographic_titles":[{"bibliographic_title":"International Journal of Cultural Property"}]}]},"item_2_description_4":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"In many temples in and around Kyoto, sets of wall and slide door paintings and folding screen\npaintings, which are designated either national treasures or important cultural properties of Japan,\nhave been replaced in situ by high-quality digital reproductions. The original paintings, in turn,\nare now largely out of sight, placed in storage spaces within temples and museums. Vanguard\nprojects of this nature were conducted in the mid-1990s. Since the mid-2000s, however, and\nwithout adequate review of the merits and demerits of such replacement, the practice has\naccelerated, and numerous sets of slide door paintings have been replaced by reproductions\nproduced for the most part by two competing corporations. The process and implication of such\ndigital replacement require far greater attention and discussion than has to date taken place.\nAccordingly, this article seeks to clarify the current status of, and problems arising from, the\ndigitization projects taking place in and around Kyoto.","subitem_description_type":"Abstract"}]},"item_2_full_name_3":{"attribute_name":"著者別名","attribute_value_mlt":[{"nameIdentifiers":[{"nameIdentifier":"17875","nameIdentifierScheme":"WEKO"}],"names":[{"name":"山田, 奨治"}]}]},"item_2_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.15055/00007294","subitem_identifier_reg_type":"JaLC"}]},"item_2_publisher_33":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"Cambridge University Press"}]},"item_2_rights_13":{"attribute_name":"権利","attribute_value_mlt":[{"subitem_rights":"本著作物はCambridge University Pressに許諾を得て掲載しています。"}]},"item_2_source_id_10":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA11198277","subitem_source_identifier_type":"NCID"}]},"item_2_version_type_16":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_ab4af688f83e57aa","subitem_version_type":"AM"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"YAMADA, Shōji"}],"nameIdentifiers":[{"nameIdentifier":"17874","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2019-04-05"}],"displaytype":"detail","filename":"auth_IJCP_24_295.pdf","filesize":[{"value":"810.7 kB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"auth_IJCP_24_295","url":"https://nichibun.repo.nii.ac.jp/record/7317/files/auth_IJCP_24_295.pdf"},"version_id":"107bee3a-5e1e-479e-97f6-7425b2bd0e13"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"eng"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"journal article","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"Who Moved My Masterpiece?  : Digital Reproduction, Replacement, and the Vanishing Cultural Heritage of Kyoto","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"Who Moved My Masterpiece?  : Digital Reproduction, Replacement, and the Vanishing Cultural Heritage of Kyoto"}]},"item_type_id":"2","owner":"21","path":["887"],"pubdate":{"attribute_name":"公開日","attribute_value":"2019-04-05"},"publish_date":"2019-04-05","publish_status":"0","recid":"7317","relation_version_is_last":true,"title":["Who Moved My Masterpiece?  : Digital Reproduction, Replacement, and the Vanishing Cultural Heritage of Kyoto"],"weko_creator_id":"21","weko_shared_id":21},"updated":"2023-05-15T16:09:24.410548+00:00"}