@article{oai:nichibun.repo.nii.ac.jp:00007986,
 author = {CHEN, Yijie},
 journal = {世界の日本研究, JAPANESE STUDIES AROUND THE WORLD},
 month = {Mar},
 note = {This article seeks the origin of the red sun (hong taiyang in Chinese), a motif that Chinese painter Fu Baoshi used in his works during the 1950s and 1960s. A similar motif can be found in some works made by Japanese painters during the 1920s and 1930s, though there is no definitive evidence that Fu learned directly from them. Rather, I argue that Fu and his Japanese counterparts drew from an East Asian tradition for depicting national idols that was exemplified in Tianbao jiuru, a theme which had been shared between China and Japan for a long time.},
 pages = {102--112},
 title = {The Origins of the Red Sun Motif : National Idols in Chinese and Japanese Paintings},
 volume = {2022},
 year = {2023}
}