{"created":"2023-05-15T13:45:18.262018+00:00","id":892,"links":{},"metadata":{"_buckets":{"deposit":"eaa53787-f104-4f74-b88f-f870042cae95"},"_deposit":{"created_by":31,"id":"892","owners":[31],"pid":{"revision_id":0,"type":"depid","value":"892"},"status":"published"},"_oai":{"id":"oai:nichibun.repo.nii.ac.jp:00000892","sets":["192:235"]},"author_link":["18695","18694"],"item_5_alternative_title_20":{"attribute_name":"その他の言語のタイトル","attribute_value_mlt":[{"subitem_alternative_title":"A Reexamination of the Issue of Satire in the Konkai zōshi emaki","subitem_alternative_title_language":"en"}]},"item_5_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"1993-03-30","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"99","bibliographicPageStart":"71","bibliographicVolumeNumber":"8","bibliographic_titles":[{"bibliographic_title":"日本研究 : 国際日本文化研究センター紀要","bibliographic_titleLang":"ja"}]}]},"item_5_description_4":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"　浮田一蕙の「婚怪草紙絵巻」は、皇女和宮の徳川家茂への降嫁に対する風刺絵だとされてきた。しかし、一蕙の作品群を調べると、一蕙が信州に滞在した嘉永五年十月から翌六年二月にかけて、「狐の嫁入り」を主題とした掛幅や六曲一双の屏風を既に制作しており、「婚怪草紙絵巻」もその延長線上で描かれたと思われる。即ち、一蕙が江戸に滞在した嘉永六年三月から安政元年七月の間で、それは和宮降嫁の議が内々論議された安政五年秋から冬にかけてより、四年有余遡るのである。\n　江戸中、後期は擬人化の風潮が顕著に現れた時期であった。そして、妖怪奇異に対する好奇心が版本の普及とともに高揚した時期でもあった。想像力の逞しい画家や作家たちが、幻想、奇想の世界を創り出していた背景を考えると、「婚怪草紙絵巻」が生まれる土壌は、風刺を抜きにして充分整っていたのである。一蕙が古典絵巻から吸収した知識と、当時の社会に培われていた、洒落や、遊戯や、パロディーの精神が結びつき「婚怪草紙絵巻」は生まれたのである。","subitem_description_language":"ja","subitem_description_type":"Abstract"}]},"item_5_full_name_3":{"attribute_name":"著者別名","attribute_value_mlt":[{"nameIdentifiers":[{"nameIdentifier":"18695","nameIdentifierScheme":"WEKO"}],"names":[{"name":"BETCHAKU, 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