WEKO3
アイテム
{"_buckets": {"deposit": "80da6df1-ddb8-4fd3-8b53-88f6e59feafb"}, "_deposit": {"created_by": 29, "id": "7986", "owners": [29], "pid": {"revision_id": 0, "type": "depid", "value": "7986"}, "status": "published"}, "_oai": {"id": "oai:nichibun.repo.nii.ac.jp:00007986", "sets": []}, "author_link": ["23770", "23769"], "item_1687303235481": {"attribute_name": "編者", "attribute_value_mlt": [{"contributorNames": [{"contributorName": "楠, 綾子", "lang": "ja"}, {"contributorName": "KUSUNOKI, Ayako", "lang": "en"}], "contributorType": "Editor"}, {"contributorNames": [{"contributorName": "松木, 裕美", "lang": "ja"}, {"contributorName": "MATSUGI, Hiromi", "lang": "en"}], "contributorType": "Editor"}]}, "item_8_alternative_title_20": {"attribute_name": "その他の言語のタイトル", "attribute_value_mlt": [{"subitem_alternative_title": "「紅太陽」モチーフの由来 : 中国と日本の絵画に見る国家アイドル", "subitem_alternative_title_language": "ja"}]}, "item_8_biblio_info_7": {"attribute_name": "書誌情報", "attribute_value_mlt": [{"bibliographicIssueDates": {"bibliographicIssueDate": "2023-03-15", "bibliographicIssueDateType": "Issued"}, "bibliographicPageEnd": "112", "bibliographicPageStart": "102", "bibliographicVolumeNumber": "2022", "bibliographic_titles": [{"bibliographic_title": "世界の日本研究", "bibliographic_titleLang": "ja"}, {"bibliographic_title": "JAPANESE STUDIES AROUND THE WORLD", "bibliographic_titleLang": "en"}]}]}, "item_8_description_15": {"attribute_name": "フォーマット", "attribute_value_mlt": [{"subitem_description": "application/pdf ", "subitem_description_language": "en", "subitem_description_type": "Other"}]}, "item_8_description_4": {"attribute_name": "抄録", "attribute_value_mlt": [{"subitem_description": "This article seeks the origin of the red sun (hong taiyang in Chinese), a motif that Chinese painter Fu Baoshi used in his works during the 1950s and 1960s. A similar motif can be found in some works made by Japanese painters during the 1920s and 1930s, though there is no definitive evidence that Fu learned directly from them. Rather, I argue that Fu and his Japanese counterparts drew from an East Asian tradition for depicting national idols that was exemplified in Tianbao jiuru, a theme which had been shared between China and Japan for a long time.", "subitem_description_language": "en", "subitem_description_type": "Abstract"}]}, "item_8_full_name_3": {"attribute_name": "著者別名", "attribute_value_mlt": [{"nameIdentifiers": [{"nameIdentifier": "23770", "nameIdentifierScheme": "WEKO"}], "names": [{"name": "陳, 藝婕", "nameLang": "ja"}]}]}, "item_8_identifier_registration": {"attribute_name": "ID登録", "attribute_value_mlt": [{"subitem_identifier_reg_text": "10.15055/00007956", "subitem_identifier_reg_type": "JaLC"}]}, "item_8_publisher_33": {"attribute_name": "出版者", "attribute_value_mlt": [{"subitem_publisher": "国際日本文化研究センター", "subitem_publisher_language": "ja"}, {"subitem_publisher": "International Research Center for Japanese Studies", "subitem_publisher_language": "en"}]}, "item_8_relation_9": {"attribute_name": "ISBN", "attribute_value_mlt": [{"subitem_relation_type_id": {"subitem_relation_type_id_text": "9784910171111 ", "subitem_relation_type_select": "ISBN"}}]}, "item_8_source_id_10": {"attribute_name": "書誌レコードID", "attribute_value_mlt": [{"subitem_source_identifier": "AN10354969", "subitem_source_identifier_type": "NCID"}]}, "item_8_source_id_8": {"attribute_name": "ISSN", "attribute_value_mlt": [{"subitem_source_identifier": "24361771", "subitem_source_identifier_type": "EISSN"}]}, "item_8_version_type_16": {"attribute_name": "著者版フラグ", "attribute_value_mlt": [{"subitem_version_resource": "http://purl.org/coar/version/c_970fb48d4fbd8a85", "subitem_version_type": "VoR"}]}, "item_creator": {"attribute_name": "著者", "attribute_type": "creator", "attribute_value_mlt": [{"creatorNames": [{"creatorName": "CHEN, Yijie", "creatorNameLang": "en"}], "nameIdentifiers": [{"nameIdentifier": "23769", "nameIdentifierScheme": "WEKO"}]}]}, "item_files": {"attribute_name": "ファイル情報", "attribute_type": "file", "attribute_value_mlt": [{"accessrole": "open_date", "date": [{"dateType": "Available", "dateValue": "2023-03-15"}], "displaytype": "detail", "download_preview_message": "", "file_order": 0, "filename": "seni_024_102.pdf", "filesize": [{"value": "3.7 MB"}], "format": "application/pdf", "future_date_message": "", "is_thumbnail": false, "licensetype": "license_note", "mimetype": "application/pdf", "size": 3700000.0, "url": {"label": "seni_024_102.pdf", "objectType": "fulltext", "url": "https://nichibun.repo.nii.ac.jp/record/7986/files/seni_024_102.pdf"}, "version_id": "54345b52-40ce-4810-b117-b06daf225090"}]}, "item_keyword": {"attribute_name": "キーワード", "attribute_value_mlt": [{"subitem_subject": "傅抱石", "subitem_subject_language": "ja", "subitem_subject_scheme": "Other"}, {"subitem_subject": "横山大観", "subitem_subject_language": "ja", "subitem_subject_scheme": "Other"}, {"subitem_subject": "中国絵画", "subitem_subject_language": "ja", "subitem_subject_scheme": "Other"}, {"subitem_subject": "新日本画", "subitem_subject_language": "ja", "subitem_subject_scheme": "Other"}, {"subitem_subject": "毛沢東", "subitem_subject_language": "ja", "subitem_subject_scheme": "Other"}, {"subitem_subject": "Fu Baoshi", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}, {"subitem_subject": "Yokoyama Taikan", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}, {"subitem_subject": "Chinese painting", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}, {"subitem_subject": "new Japanese painting", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}, {"subitem_subject": "Mao Zedong", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}]}, "item_language": {"attribute_name": "言語", "attribute_value_mlt": [{"subitem_language": "eng"}]}, "item_resource_type": {"attribute_name": "資源タイプ", "attribute_value_mlt": [{"resourcetype": "article", "resourceuri": "http://purl.org/coar/resource_type/c_6501"}]}, "item_title": "The Origins of the Red Sun Motif : National Idols in Chinese and Japanese Paintings", "item_titles": {"attribute_name": "タイトル", "attribute_value_mlt": [{"subitem_title": "The Origins of the Red Sun Motif : National Idols in Chinese and Japanese Paintings", "subitem_title_language": "en"}]}, "item_type_id": "8", "owner": "29", "path": ["1160"], "permalink_uri": "https://doi.org/10.15055/00007956", "pubdate": {"attribute_name": "PubDate", "attribute_value": "2023-03-15"}, "publish_date": "2023-03-15", "publish_status": "0", "recid": "7986", "relation": {}, "relation_version_is_last": true, "title": ["The Origins of the Red Sun Motif : National Idols in Chinese and Japanese Paintings"], "weko_shared_id": -1}
The Origins of the Red Sun Motif : National Idols in Chinese and Japanese Paintings
https://doi.org/10.15055/00007956
https://doi.org/10.15055/000079563893785a-dfa8-46d5-ae80-01881b52101f
名前 / ファイル | ライセンス | アクション |
---|---|---|
seni_024_102.pdf (3.7 MB)
|
|
Item type | 一般雑誌記事 / Article(1) | |||||
---|---|---|---|---|---|---|
公開日 | 2023-03-15 | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | The Origins of the Red Sun Motif : National Idols in Chinese and Japanese Paintings | |||||
言語 | ||||||
言語 | eng | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | article | |||||
ID登録 | ||||||
ID登録 | 10.15055/00007956 | |||||
ID登録タイプ | JaLC | |||||
著者 |
CHEN, Yijie
× CHEN, Yijie |
|||||
著者別名 | ||||||
識別子Scheme | WEKO | |||||
識別子 | 23770 | |||||
姓名 | 陳, 藝婕 | |||||
言語 | ja | |||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | This article seeks the origin of the red sun (hong taiyang in Chinese), a motif that Chinese painter Fu Baoshi used in his works during the 1950s and 1960s. A similar motif can be found in some works made by Japanese painters during the 1920s and 1930s, though there is no definitive evidence that Fu learned directly from them. Rather, I argue that Fu and his Japanese counterparts drew from an East Asian tradition for depicting national idols that was exemplified in Tianbao jiuru, a theme which had been shared between China and Japan for a long time. | |||||
言語 | en | |||||
書誌情報 |
ja : 世界の日本研究 en : JAPANESE STUDIES AROUND THE WORLD 巻 2022, p. 102-112, 発行日 2023-03-15 |
|||||
ISSN | ||||||
収録物識別子タイプ | EISSN | |||||
収録物識別子 | 24361771 | |||||
ISBN | ||||||
識別子タイプ | ISBN | |||||
関連識別子 | 9784910171111 | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AN10354969 | |||||
著者版フラグ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
その他の言語のタイトル | ||||||
その他のタイトル | 「紅太陽」モチーフの由来 : 中国と日本の絵画に見る国家アイドル | |||||
言語 | ja | |||||
出版者 | ||||||
言語 | ja | |||||
出版者 | 国際日本文化研究センター | |||||
出版者 | ||||||
言語 | en | |||||
出版者 | International Research Center for Japanese Studies | |||||
編者 | ||||||
寄与者タイプ | Editor | |||||
姓名 | 楠, 綾子 | |||||
言語 | ja | |||||
姓名 | KUSUNOKI, Ayako | |||||
言語 | en | |||||
編者 | ||||||
寄与者タイプ | Editor | |||||
姓名 | 松木, 裕美 | |||||
言語 | ja | |||||
姓名 | MATSUGI, Hiromi | |||||
言語 | en | |||||
キーワード | ||||||
言語 | ja | |||||
主題Scheme | Other | |||||
主題 | 傅抱石 | |||||
キーワード | ||||||
言語 | ja | |||||
主題Scheme | Other | |||||
主題 | 横山大観 | |||||
キーワード | ||||||
言語 | ja | |||||
主題Scheme | Other | |||||
主題 | 中国絵画 | |||||
キーワード | ||||||
言語 | ja | |||||
主題Scheme | Other | |||||
主題 | 新日本画 | |||||
キーワード | ||||||
言語 | ja | |||||
主題Scheme | Other | |||||
主題 | 毛沢東 | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | Fu Baoshi | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | Yokoyama Taikan | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | Chinese painting | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | new Japanese painting | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | Mao Zedong |