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<3) SHUNGA IN KYOTO AND OSAKA>Tsukioka Settei's Erotic Paintings
https://doi.org/10.15055/00000167
https://doi.org/10.15055/00000167141c68d1-4cb7-47fb-b9e9-53b471ff30fe
名前 / ファイル | ライセンス | アクション |
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JN2609.pdf (7.5 MB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2013-12-12 | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | <3) SHUNGA IN KYOTO AND OSAKA>Tsukioka Settei's Erotic Paintings | |||||
言語 | ||||||
言語 | eng | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.15055/00000167 | |||||
ID登録タイプ | JaLC | |||||
著者 |
YAMAMOTO, Yukari
× YAMAMOTO, Yukari |
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抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | This article focuses on the paintings of the Osaka artist Tsukioka Settei (1726-1786). There exists some research on indivisual Settei shunga paintings, but no attempt yet to assess his entire known shunga paintings, nor have the works of his pupils been considered. This article examines his extant works in order to outline the trends overall. Furthur, we examine the paintings in relation to his hunga illustrated books, and analyze how the various motifs were transferred among the paintings and between media. Finally we consider the shunga paintings of his son Tsukioka Sessai (d. 1839) and his pupil Shitomi Kangetsu (1747-1797), and examine how his art was transmitted to the next generation. The conclusions from this analysis are as follows. Firstly, Settei was not very interested in depicting the background of the figures, a technique which stands out in opposition to general trends of the time. Settei tended to use gold leaf to produce an abstract background, and therefore kept alive and enhanced an earlier tradition of shunga handscrolls focused on the Edo artists. Secondly, Settei often included images of both Chinese and Japanese in his shunga. Thirdly, there are little direct relations between his shunga books and his paintings. Finally, there is considerable borrowing of motifs among the paintings, and these were also re-used in the paintings of his pupils. |
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言語 | en | |||||
書誌情報 |
en : Japan review : Journal of the International Research Center for Japanese Studies / SPECIAL ISSUE : Shunga: Sex and Humor in Japanese Art and Literature 巻 26, p. 151-167, 発行日 2013-01-01 |
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ISSN | ||||||
収録物識別子タイプ | PISSN | |||||
収録物識別子 | 09150986 | |||||
ISSN | ||||||
収録物識別子タイプ | EISSN | |||||
収録物識別子 | 24343129 | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AA10759175 | |||||
著者版フラグ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
その他の言語のタイトル | ||||||
その他のタイトル | 月岡雪鼎の春画 | |||||
言語 | ja | |||||
出版者 | ||||||
言語 | en | |||||
出版者 | International Research Center for Japanese Studies | |||||
編者 | ||||||
寄与者タイプ | Editor | |||||
姓名 | BREEN, John | |||||
言語 | en | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | TSUKIOKA SETTEI | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | SHUNGA PAINTING | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | OSAKA SHUNGA | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | EDO SHUNGA | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | SHUNGAPRINTS AND PAINTING | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | SHUNGA BOOKS AND PAINTING | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | TSUKIOKA SESSAI | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | SHITOMI KANGETSU | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | CHINESE EROTIC ART | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | EIGHTEENTH CENTURY | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | SHUNGA | |||||
特集号タイトル | ||||||
en | ||||||
Shunga: Sex and Humor in Japanese Art and Literature |