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Manfred Gurlitt and the Japanese Operatic Scene, 1939-1972
https://doi.org/10.15055/00000239
https://doi.org/10.15055/00000239f16f004b-1f1a-4ec9-bb05-5f6fb50cceda
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
JN1806.pdf (1.2 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2011-05-10 | |||||
| タイトル | ||||||
| タイトル | Manfred Gurlitt and the Japanese Operatic Scene, 1939-1972 | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | eng | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.15055/00000239 | |||||
| ID登録タイプ | JaLC | |||||
| 著者 |
GALLIANO, Luciana
× GALLIANO, Luciana |
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| 著者別名 | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 21068 | |||||
| 姓名 | ガリアーノ, ルチアーナ | |||||
| 言語 | ja | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | Manfred Gurlitt (1890-1972), a gifted composer and conductor, came tofeel he had to escape his native Germany in the late 1930s, as did manyother musicians. Although he had, in an idiosyncratic fashion, come toterms with the National Socialist regime, he exiled himself to Japan in1939, hoping to obtain a position that would allow him to maintain oreven to burnish his reputation in the world of music. His most brilliantearlier successes had been in opera, and in Japan his career was mainlylinked with opera. He worked diligently to affirm the “correct” Europeanway of performing the operatic repertoire, and produced many first-timeproductions of high quality. His competent, rigorous work in the fieldgrounded the whole operatic domain of postwar Japan, and indeed hisinfluence continues to be felt to this day. An article in the Mainichi shinbunin 1956 stated that “no musician has had such a vast and importantinfluence over the Japanese musical world.” His years in Japan, however,were spent with an underlying sentiment of displacement. His sense ofunease was compounded by dissatisfaction with and unfulfilled desire forWestern (particularly German) acknowledgment of the merit of his work.In this article I aim to shed new light on the place of Manfred Gurlitt intwentieth-century music history by reexamining his Japanese activity, withsome reference to his early oeuvre as a composer and success as a conductorin Germany. | |||||
| 言語 | en | |||||
| 書誌情報 |
en : Nichibunken Japan review : Journal of the International Research Center for Japanese Studies 巻 18, p. 215-248, 発行日 2006-01-01 |
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| ISSN | ||||||
| 収録物識別子タイプ | PISSN | |||||
| 収録物識別子 | 09150986 | |||||
| ISSN | ||||||
| 収録物識別子タイプ | EISSN | |||||
| 収録物識別子 | 24343129 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA10759175 | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
| その他の言語のタイトル | ||||||
| その他のタイトル | マンフレット・グルリットと日本のオペラ界（1939－1972） | |||||
| 言語 | ja | |||||
| 出版者 | ||||||
| 出版者 | International Research Center for Japanese Studies | |||||
| 言語 | en | |||||
| 編者 | ||||||
| 寄与者タイプ | Editor | |||||
| 姓名 | BAXTER, James C. | |||||
| 言語 | en | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | MANFRED GURLITT | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | OPERA | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | MUSIC HISTORY | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | EXILE | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | NATIONALSOZIALISTISCHE | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | DEUTSCHE ARBEITER-PARTEI (NAZI PARTY) | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | TŌKYŌ KŌKYŌ | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | GAKUDAN (TOKYO SYMPHONY ORCHESTRA TOKYO PHILHARMONIC) | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | FUJIWARA | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | YOSHIE | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | FUJIWARA OPERA COMPANY | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | KLAUS PRINGSHEIM | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | NIKIKAI | |||||
