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A Critique of Desire : Law, Language, and the Death Drive in Kawabata’s House of the Sleeping Beauties
https://doi.org/10.15055/00007203
https://doi.org/10.15055/000072038a507acc-c42e-4d0f-9c69-4f9ad98b12f9
名前 / ファイル | ライセンス | アクション |
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jare_032_089.pdf (1.2 MB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2019-02-26 | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | A Critique of Desire : Law, Language, and the Death Drive in Kawabata’s House of the Sleeping Beauties | |||||
言語 | ||||||
言語 | eng | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.15055/00007203 | |||||
ID登録タイプ | JaLC | |||||
著者 |
MEBED, Sharif
× MEBED, Sharif |
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抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | The present study analyzes Kawabata Yasunari’s novella, House of the Sleeping Beauties (Nemureru bijo), focusing on the role and function of law and its relationship to desire in that work and in literary art in general. To explore this question, the writer has called upon the theoretical work of the French psychoanalyst Jacques Lacan (1901–1981). At first glance, Kawabata’s writing seems to be completely disconnected from French theory or theoretical discourse; Kawabata is known for his sensitive depiction of Japanese aesthetics, deploying images of Geisha, traditional dancers, and conventional family scenes, which seem distant from the student turmoil, political background and Tel Quel movement that spurred on Derrida, Kristeva, Barthes, and Lacan. Yet, as demonstrated in the paper, Kawabata and Lacan do share a common respect for Sigmund Freud (1856–1939), and a critical view of language. Additionally, Kawabata wrote a number of avant-garde works including “Crystal Fantasy, Suishō gensō” (1931), the film scenario A Page of Madness (1926), The Lake (1955), “One Arm” (1965), and House of the Sleeping Beauties (1960). These works and others can be read as extended meditations on the unconscious and the nature of the human subject. Among those works, House of the Sleeping Beauties is taken up here because it highlights the nature of human desire and its relationship to language, law, the illicit, and the taboo: concepts of key interest to both Japanese literary studies and psychoanalysis. | |||||
言語 | en | |||||
書誌情報 |
en : Japan review : Journal of the International Research Center for Japanese Studies 巻 32, p. 89-106, 発行日 2019 |
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ISSN | ||||||
収録物識別子タイプ | PISSN | |||||
収録物識別子 | 09150986 | |||||
ISSN | ||||||
収録物識別子タイプ | EISSN | |||||
収録物識別子 | 24343129 | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AA10759175 | |||||
著者版フラグ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
その他の言語のタイトル | ||||||
その他のタイトル | 欲望についての一考察 : 川端康成『眠れる美女』に見る法と言語、死への衝動 | |||||
言語 | ja | |||||
出版者 | ||||||
言語 | en | |||||
出版者 | International Research Center for Japanese Studies | |||||
編者 | ||||||
寄与者タイプ | Editor | |||||
姓名 | BREEN, John | |||||
言語 | en | |||||
キーワード | ||||||
言語 | ja | |||||
主題Scheme | Other | |||||
主題 | ジャック・ラカン | |||||
キーワード | ||||||
言語 | ja | |||||
主題Scheme | Other | |||||
主題 | 戦後日本文学 | |||||
キーワード | ||||||
言語 | ja | |||||
主題Scheme | Other | |||||
主題 | 精神分析 | |||||
キーワード | ||||||
言語 | ja | |||||
主題Scheme | Other | |||||
主題 | 父の名 | |||||
キーワード | ||||||
言語 | ja | |||||
主題Scheme | Other | |||||
主題 | 小文字の他者 | |||||
キーワード | ||||||
言語 | ja | |||||
主題Scheme | Other | |||||
主題 | 「母語の祈り」 | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | JACQUES LACAN | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | POSTWAR JAPANESE LITERATURE | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | PSYCHOANALYSIS | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | NOM DE PÈRE | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | OBJET PETIT A | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | “PRAYER IN THE MOTHER TONGUE” |