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Classical Chinese Aesthetic Ideals meet the West : Modern Japanese Art as a Contact Zone
https://doi.org/10.15055/00007907
https://doi.org/10.15055/0000790700ba3df4-d630-445f-af85-a5691199618b
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
jare_037_007.pdf (3.3 MB)
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| Item type | 学術雑誌論文 / Journal Article(1) | |||||
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| 公開日 | 2022-12-16 | |||||
| タイトル | ||||||
| タイトル | Classical Chinese Aesthetic Ideals meet the West : Modern Japanese Art as a Contact Zone | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | eng | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | journal article | |||||
| ID登録 | ||||||
| ID登録 | 10.15055/00007907 | |||||
| ID登録タイプ | JaLC | |||||
| 著者 |
INAGA, Shigemi
× INAGA, Shigemi |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | This article engages with the notion of an aesthetic "chiasma" developed by the Japanese philosopher Imamichi Tomonobu in the 1960s. According to Imamichi, the nineteenth century saw an inversion of basic ideas associated with the artistic traditions of East and West. While in the East, the earlier dominance of expression was replaced by an emphasis on the importance of representation, for the West, the idea of mimesis-representation was superseded by a focus on expression. Imamichi's argument remain influential. Drawing on a series of philologically relevant reflections by several generations of scholars and artists, from Watanabe Kazan to Hashimoto Kansetsu, and situating them in relation to their Western and Chinese counterparts, this article clarifies the developments which occurred and the conflicts which emerged over the course of this interaction. In doing so, it demonstrates that Imamichi's notion of chiasma remains too restricted to capture the degree of exchange between the Eastern and Western aesthetic ideals taking place in modern Japan. The article concludes that Imamichi's chiasma was made possible by the awkward mapping of a pair of fundamental dualities associated with Eastern and Western thought onto one another, in a manner which reveals more about the geopolitical imperatives of the 1960s than the process of intellectual exchange itself. | |||||
| 言語 | en | |||||
| 書誌情報 |
en : Japan Review : Journal of the International Research Center for Japanese Studies 巻 37, p. 7-28, 発行日 2022-12 |
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| ISSN | ||||||
| 収録物識別子タイプ | PISSN | |||||
| 収録物識別子 | 09150986 | |||||
| ISSN | ||||||
| 収録物識別子タイプ | EISSN | |||||
| 収録物識別子 | 24343129 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA10759175 | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
| 出版者 | ||||||
| 出版者 | International Research Center for Japanese Studies | |||||
| 言語 | en | |||||
| 編者 | ||||||
| 寄与者タイプ | Editor | |||||
| 姓名 | BOYLE, Edward | |||||
| 言語 | en | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | qiyun shengdong | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | kiin seidō | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Imamichi Tomonobu | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | chiasma | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | confluence | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Watanabe Kazan | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Ernest Fenollosa | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Okakura Tenshin | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Arthur Dow | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Hashimoto Kansetsu | |||||
